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"Strange Like We Are"

by Campfire OK
Seattle's Campfire OK will be at the Crocodile on September 23rd opening for Fences CD Release Show

Shenandoah Davis

Photo by Abbey Simmons ::: Saturday September 4th at 4:30pm Shenandoah Davis plays the Bumbershoot edition of the Round with Goldfinch and Tomo Nakayma

BUMBERSHOOT

September 4th, 5th, and 6th at Seattle Center

December 9, 2009

Our Favorite Photos of 2009: The Thermals

thermals-forstereogum

The Thermals ::: Photo by Josh Lovseth, originally for Stereogum

The Thermals have been good to Seattle this year, and we’ve been good back, and it’s not even over yet. Straight from working in the studio with Chris Walla (who’s name seems to be coming up everywhere lately), the tireless threesome is making a weekend of it up here, first headlining KEXP’s Yule Benefit at Neumos on Saturday, and then on Sunday staying out late with the all-agers at the Vera Project. Both bills feature some of Portland’s other best growing talent in the Builders and the Butchers, Dirty Mittens, and Explode into Colors.


Neumos and 90.3 KEXP present:
KEXP YULE BENEFIT (All Proceeds go to KEXP Programming)
Saturday December 12th at Neumos
The Thermals
The Cave Singers
The Builders and the Butchers
Grand Hallway
21+, 8PM Doors, $20 adv at Tickets West


Sunday December 13 at the Vera Project
The Thermals
Explode Into Colors
Dirty Mittens
All-Ages, 7:30 PM, $16 adv. at TICKETWEB ($15 w. club card)


You bet these shows will sell out so, in the immortal words of the Sugarhill Gang (and more recently Sir Mix-Alot): Jump on it!

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October 14, 2009

Starfucker: a Sold Out Vera Project, a year worth of irony, and a new name

Starfucker ::: Photo by Abbey Simmons

From the very beginning, the date of Starfucker’s demise was published on their myspace page: 12/21/2012. Smarty pants people will recognize that as the date the Mayan Calendar ends. Thus they were always a temporary and ephemeral being, a band who’s main goal was simply to be best soundtrack a house party might find as long as people remained interested. They were aiming to be the opposite of a band that was gunning for stardom, the opposite of a band that they used to be, one that two of Starfucker’s members had moved to New York City to try and “make it” with a few years previous. I interviewed Starfucker nearly a year ago at their first show at the Vera Project, where Josh Hodges described their new philosophy this way:

… I was just really focused on being in the music scene and industry. Just thinking about all this shit. And shows were not fun. [The Sexton Blake material] was kind of boring depressing music to play live. I like that kind of music a lot, but live I don’t like to play it, or even sometimes to watch it unless is really special to me.

Why it’s named “starfucker” partly, is that. Ryan and I used to live together, and fuck around in the basement and make loops, and do rude noise stuff. That’s more kind of keeping me interested, it’s more fun. “Fuck thinking about any aspect of the music but the music.” That was how it started I think.

This notion “nothing but the fun” translated to their music and gradually, largely via word of mouth based on house shows and some strong local support, their reputation and songs spread. I certainly remember being handed the original Starfucker E.P. and thinking there were two instant hits with “German Love” and “Rawnald Gregory Erickson the Second.”

At the end of 2008 following their first L.P., this DIY dance band suddenly found their songs tapped for commercial use by the likes of IBM, and in more recent months Target has come knocking. The name also caused some consternation and confusion though. There is also a European Starfucker. In one instance they were under consideration to be an opening act for Animal Collective, but then apparently unasked due to concern’s over marketing the name. Losing a touring opportunity of that magnitude must have stung, and no doubt contributed to them now leaving the Starfucker moniker behind. Last Friday’s show was to be their final Seattle show as Starfucker. (A Halloween set in Portland will be the last show ever as Starfucker.)

In that first Vera show, almost a year ago, they played on the venue floor to a fairly reserved crowd of about forty or fifty, just enough to form a ring around the band. Following a sweaty crowded set this July at the Capitol Hill Block Party where the young crowd was unusually rowdy and challenging for the security team working the Vera Project sponsored stage, Starfucker was invited back to the venue for what was sure to be an exciting sell out event. Day of, it certainly proved to be that and more, though taking note of the difficult crowd situation that happened at Block Party might have been wise. The kids were no less excited this time around and during the first few songs, it’s a wonder nobody broke a bone or sprained an ankle. Those of us in the middle were live action weeble’s, helplessly tipping back and forth with the sway of the crowd. After a few songs of attempting to right myself against the irresistible riptide of people, I had to extract myself, which never happens. It was too much. (I’m not being modest. A mosh pit at my back doesn’t scare me anymore. Uncontrolled 16 year-olds on the other hand…)

Outside the melee at the back of the crowd the sound was great, and Starfucker’s mid-set cover of Cindy Lauper’s “Girls Just Wanna Have Fun” may have received the biggest cheer of the night. I had my “old-man-at-an-all-ages-venue” moment, shaking my head thinking most of these kids have probably never even heard the original or know who Cindy Lauper is, but then promptly got lost in the delight of a cover well done. One that I was appreciating for being even more bubblegum than the original. Wrapping up with “German Love” and then “Dance Face 2000″ proved once again to be a winning combination, with singer Ryan Bjornstad taking a dive atop the tightly packed audience during German Love, while making a go at being a model dance face himself during the latter.

After a short encore, the merch table was mobbed for what was sure to be a landmark night for Starfucker sales. One could sense throughout the performance, in the smiles passed between members and the occasionally goggled-eyes surveying the crowd, that moments such as this are still what they live for. Yet moments such as this also confirm their growing appeal and that moving forward with a new name so they can reach even wider success is the right decision, however distasteful it may seem. In the year since their first Vera appearance, they’ve outgrown the venue and their name in a way that has topped anyone’s wildest expectations.

Strangely once the gentlemen of Starfucker had given up seeking popularity, it came seeking them. And the end of Starfucker came sooner than even the band themselves had mapped out tongue-in-cheek, as not an end at all, but a new beginning with their full potential still to be realized. Despite their name, they’ve become an example of how a band can survive and build momentum through clever licensing, recording a smart cover, and maintaining a fan focused position (largely all-ages). The name was itself a challenge to their former selves, yet going forward with it has proved too much of a challenge to a whole lot of other people, and so now the boys themselves are giving in. The irony of the entire situation is inescapable and might be humorous if it was piled so high.

In the draft for this post I had written as a last sentence, “Let us hope they can find a new name that continues to communicate their philosophy of making music (and by extension having fun) on their own terms.” Little did I know that today the new name would be revealed for all. After Halloween Starfucker is PYRAMID (caps are intended).

Oh wellz. I was probably too much to ask for them to come up with a new name as good as ‘Starfucker.’ Whatever the name though, their music is going to take them places.

 

Starfucker ::: Photo by Abbey Simmons

Starfucker ::: Photo by Josh Lovseth

Starfucker ::: Photo by Josh Lovseth

Flickr: Starfucker at the Vera Project, October 9, 2009

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April 29, 2009

Singing The Body Electric with The Lonely Forest at the Sold Out VERA Project

Lonely Forest Choir ::: Photo by Josh

Most of the time, the shows I attend at the Vera Project are pretty mellow affairs, but from the second I walked in the door I knew this was not going to be one of those nights. As we walked down the stairs to main floor, the Lonely Forest front-man Jon Van Deusen intercepted us with high fives and a warm welcome before bouncing off to attend to other details of the what looked to be an already successful, at least attendance-wise, evening. The Globes already were pounding away on the stage with abandon, off on one of their signature instrumental tangents.

This might be the first time I’ve actually seen the Globes play an actual venue on an actual stage. I’m sure they have before, but previously I’ve only ever caught them in festival-ish or record store settings. It’s a pain not being able to hear everything, since they cultivate layers and instrumental dynamics in the way of Radiohead in addition to sounding simply a thoroughly modern and young rock band. The Globes are well situated to continue to mature as a band on the all-ages scene and beyond.

The New Faces on the other hand might just be the reigning champions of the all-ages scene at the moment, following a jam-packed calendar in banner 2008. In that time both Nico and Kyle have really picked up on the stage presence, moving around and having a whole lot of fun, feeding and feeding-off-of the very excited front rows. What the crowd couldn’t find in the Globes unconventional structures, the New Faces could deliver in spades, and led by a cadre of excited teenage girls(!) the crowd obliged with bouts of dancing and hyperactivity.

The Wild Orchid Children, after an extended sound-check immediately encountered issues with lead singer Kirk’s microphone cable. After instrumentally jamming for 10 minutes while the sound crew figured things out, the band was left with 10 minutes, and then time was up. The set was over as suddenly as it had started and a crowd that had been teased was left I think unsatisfied. I honestly felt sorry for everyone involved.

That the entire crowd still remained present and really was all there for the Lonely Forest wasn’t a surprise at all, and in fact I was pretty happy to see that a band I predicted had a ton of potential has been reaching it. Even way back when Van Deusen was manning the piano full-time I felt like these gents had something special, but now in addition to his natural charisma they’ve got some damn catchy pop songs and the overflowing energy to pull it off. Upon hearing lead single “We Sing in Time” on a homemade EP, packaged in pink cardboard paper and decorated with farting elmo stickers last year, visions of screaming masses freaking out were already entering into this band futures.

That this vision was brought to life on the night of the record’s release party only serves to reinforce that sense that the Lonely Forest experience will be around for a while. The new mini-community of adorers that they create each night when they play through anthemic sing-alongs and invite the audience to be their friend is just as much a part of the lure of this band as the songs themselves, and the promise of a return to that joyous-togetherness feeling will bring people back time and again.

Van Deusen was obviously beyond amped at the turnout for this night, and before the first song had even finished in a fit of wild guitar playing he had upended his electric piano. In the time since I’ve last seen the band they’ve added a second guitarist, and for this special show they recruited thirty friends from the hometown Anacortes High School choir to sing backup on selected songs. Whether dancing or belting out a chorus, it seemed like just about everybody was physically invested in making the set go off well in one way or another.

“We Sing in Time” was saved for last. After the crowd demanded an encore the curfew allowed for just one more song. The band passed cookies out to the crowd, and after downing a sugar shot he didn’t need, Van Deusen launched into the final number. Afterward as we allowed the room to empty, packs of teenage girls flitted from room to room buzzing about how cute everyone was. A lonely cigarette roller along with a nicely hand rolled cigarette lay at the foot of the stage, forgotten as the exhausted patrons filed out (I didn’t smell anyone light up). As they ascended the stairs, a smile and a copy of We Sing the Body Electric appeared to be almost the universal take away from the night. Could the Lonely Forest have asked for a better result? I’d have to say not.

The Lonely Forest ::: Photo by Abbey

VERA Crowd ::: Photo by Abbey

Wild Orchid Children ::: Photo by Abbey

New Faces ::: Photo by Abbey

Flickr: The Lonely Forest CD Release Party at the Vera Project, April 24, 2009

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December 19, 2008

Our Featured Show Canceled Due To Snow (and other Snow Casualties)

We were hoping for just enough snow to keep us out of work, but not enough snow to keep the VERA Project and other venues around the city from canceling…but we are S.O.L. tonight.

The VERA Project has canceled tonight’s benefit show featuring The Whore Moans, Thee Emergency, and The Lost Episode.

No word yet on if they’ve canceled tomorrow’s show with Starfucker and Natalie Portman’s Shaved Head.

Another victim of this vicious cold snap and ice out? The Blue Scholars 3 nights of shows at Neumo’s, which have ALL been cancelled.

The shows have already been rescheduled for March–here’s the make-up dates:

Saturday March 14, 2009
Blue Scholars
Common Market
Special Guests
All Ages :: 8 PM Doors

Sunday March 15, 2009
Blue Scholars
Common Market
Special Guests
All Ages :: 8 PM Doors

Monday March 16, 2009
Blue Scholars
Common Market
Special Guests
21+ :: 8 PM Doors

$15/$18
Neumos
925 E Pike Street
Seattle WA 98122
Tickets at Ticketswest.com

Posted by abbey in Concert Preview, Festivals, news

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November 7, 2008

Starfucker at the Vera Project

starfucker

Starfucker ::: Photos by Josh

Portland’s hottest export did their best to get the Vera Project’s feet moving as they swung through Seattle to finish a cross-country trek to CMJ and back, and while the lucky crowd was maybe a little slow to oblige, but once they did, there was really no going back. One man band Coca Coco started off the evening, with Kaz of PWRFL POWER’s new improvisational all-instrumental project Half / Yogurt to follow, but the crowd was clearly there for Starfucker.

Equipped with two sets of drums, a turntable, a few guitars, some keyboards, and a cassette tape player weaving the conversations of Astronauts in and out of songs, Starfucker covered the entirety of their debut LP. The song of the night was surely the finisher “German Love,” for which even the stiffest members of the modestly-sized crowd had to loosen up.

“We are so happy to being playing an all-ages show again,” commented Starfucker’s Ryan Bjornstad about half-way through the set. In a pre-show interview with me the band had made the same statement, remarking that the band name is itself is a reaction to the over-serious and cut-throat realities of making it as a musician, and that ultimately the whole point of Starfucker is to unmercifully bring the fun for whomever would let them play. And the people who tend to have the most fun in their judgment? The fresh-faced all-ages crowd.

starfucker

Starfucker

starfucker

Starfucker

Flickr: Starfucker, Half / Yogurt, Coca Coco at the Vera Project, November 1, 2008

Starting today in San Fransico, Starfucker will be on a short California tour. Here are those dates:

Fri Nov 7 San Fransisco - Hemlock Tavern
Sat Nov 8 Los Angeles - Spaceland
Sun Nov 9 Irvine - Phoenix Grille at UC Irvine
Mon Nov 10 San Luis Opisbo - Stynberg Gallery

Then, on December 4, they are on a bill with Blitzen Trapper and Parsons Redhead at the Wonder Ballroom in Portland.

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October 2, 2007

Read This…

… and cheer! (free BoH in-store!)

… and laugh! (OMG funniest thing ever! Trent just invented a new word: beardidity!)

… and get your search on! (secret Vera show this Saturday … who could it be? I think I know…)

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September 28, 2007

A Drink For The Kids

drink for the kids

The 5th annual multi-day benefit for the The Vera Project will be happening all over town starting tomorrow (saturday). It’s called A Drink For The Kids and features the opportunity to throw one back with some local psuedo-celebs in some local bars all to benefit this all-ages venue run by under-agers for under-agers. I’ll probably be hitting up the Red Bull Beer Garden for the soapbox races tomorrow myself.

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April 10, 2007

The Vera Project Last Saturday

The trucks
The Trucks

speaker speaker
Speaker Speaker

shorthand for epic
Shorthand for Epic

It was my first time to the new Vera Project space and I have to say that I am impressed. A great spot to take in a show, and a nice area separate from the stage space for taking a breather. Speaker Speaker put on an onstage dance party for their final song and the audience ate it up. The Trucks delivered another solid performance of singing about titties and bad boys, and turned the main floor into a dance party. A great Saturday night all around.

More pics below the fold.

Read the rest of this entry »

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December 26, 2006

Local Music News

The all female swedish electro-quartet Amiina will be at KEXP tonight for a live in-studio at 6 PST.

Lineout has an update on the construction of the new space for all-ages venue The Vera Project, going up in one of the art rooms at Seattle Center. Every town needs its own Vera Project.

Fuel Friends has the original Band of Horses demo for download. A bit different. Slower. Definitely home recorded. Very interesting though.

A locally based social networking site built around finding and recommending new music, iLike, has received a $13 million investment from Ticketmaster. Unfortunately for iLike, any association with Ticketmaster is a black ball in my book. Music discovery services are all the rage these days with similar social networking sites Pandora and Last.fm who’s popularity has taken off this year.

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