March 25, 2012

Sharon Van Etten at the Neptune Tonight

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There’s a rumor conspiracy theory floating around the “offices” (a loose collection of individual bedrooms, coffee shops and Abbey’s house) of Sound on the Sound that North of Northwest columnist and photographer Brittney Bush Bollay is actually Sharon Van Etten. I can’t confirm or deny these rumors because I have never seen both women in the same place at the same time. What I can confirm is that Sharon Van Etten will be gracing the Neptune Theater stage tonight. Now whether or not Brittney will be in the same room while all this is happening remains to be seen.

After a few sun-filled days in the Emerald City, it’s only fitting that Mrs. Van Etten would come steamrolling into our hilly metropolis, commanding an arsenal of songs that reminding us of what it’s like to see rain cascading down our bedroom windows. Gentle readers, I think you’re letting all this vitamin D go to your head. You need to be brought down a couple of notches before you achieve megalomaniacal status. Remember who you really are. You’re someone who avoids eye contact, someone who doesn’t know how to interact with strangers, someone who hates pulling over at rest stops because you know they don’t have a french press. Don’t spend too much time fretting over this identity crisis, Mrs. Van Etten is here to exhume your internalized melancholy and transpose it over your “sunny” disposition. I mean, after all, don’t you think it’s kind of weird that a big star in outer space has this much control over you?

I’ve spent the last few days listening to tracks from Tramp (When I haven’t been boogeying to ASAP Rocky, I be that pretty motherfucker…) and I think tonight’s concert will go swimmingly. The Neptune Theater is arguably the best venue in town that Van Etten could possibly be showcasing her talents. “Give Out” reminds me of what it’s like to see someone you love walk out of your life. It’s not the fact that something you and someone else had once cherished has suddenly been rendered obsolete. What hurts is that neither one of you can explain why (funny how love is like upgrading or buying a computer).  ”Serpents” reminds me of Elliott Smith in terms of  the simplicity of its chord structure. This could also prove to be a completely faulty statement because I’m not an Elliott Smith fan, (Hey, don’t look at me like that!) but I am a fan of this particular song. “Joke or a Lie” is the kind of song that makes you want to grab an instrument and stay at home on a Saturday night. How do I know? Because I listened to this song over and over last night in an attempt to keep myself from skipping out to the Moon Temple. Needless to say, I feel like crap this morning….

The concert starts at 8pm. Opening up the show is The War on Drugs. I can promise you the band is more enjoyable and efficient than our government policy. What I can’t promise you is that any members of Wye Oak, The National or Beirut will be accompanying Van Etten on-stage and helping her perform any of the material in which they appear on Tramp.

March 21, 2012

Win Tickets to Nada Surf at the Neptune

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Yeserday Nada Surf released the digital The Dulcitone Files EP in advance of their just starting nationwide tour. Above you can listen to the acoustic single from that EP “Looking Through.” Following a quickly sold out small show at the Tractor back in February surrounding the release of their new LP the stars are indifferent to astronomy, they’re now properly setup with a big room for Saturday at the Neptune.

Drop your name in the comments (with a legit email address) by noon Thursday and we’ll choose a winner to randomly win 2 tickets to Saturday’s show.

Snag tickets ahead of time online via STG Presents for $23. Tickets are $25 day of show.

February 17, 2012

Caught a Damien Jurado Cover Last Night, Catching the Real Deal Tonight

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Pickwick at the Neptune Theater ::: Photo by Josh Lovseth

For last night’s very sold out Little Big Show benefiting ArtsCorps, Pickwick was no doubt the main attraction. But in the bigger picture this week has been about the release of Damien Jurado’s 10th LP titled Maraqopa. All this week the Seattle Times Andrew Matson has been premiering four bands who committed a Jurado cover to tape in honor of the occasion and his past efforts, a song a day. And of the four chosen, Pickwick of course went after the deepest cut. With the Mayor in the crowd and the “Godfather” himself watching from sidestage, for the encore’s first two minutes Pickwick ominously covered “I am the Greatest of all Liars” live for the first time, and then let loose on “The Ostrich.” Now that’s what I call an encore.

Take a moment yourself to download all the covers from Matson’s Blog, that also includes covers by Jeremy Enigk, Dolorean’s Al James, and the Head & The Heart’s Jon Russell.

For tonight’s nearly sold out record release show also at the Neptune Theater, Jurado will be premiering his new band, and in the spirit of Maraqopa, we’re likely to hear a similarly more developed take on songs old and new. Probably more new though as Jurado has now shed the shackles of the singer-songwriter and strives for something much, much more ambitious. Whatever he’s doing he continues to sound utterly original while doing it. Be smart and show up early tonight to snag one of the remaining tickets and catch openers Bryan John Appleby and Gold Leaves.

February 7, 2012

Win Tickets to Pickwick and Fly Moon Royalty at the Neptune

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December of 2010 was my first proper introduction to both Pickwick and Fly Moon Royalty, playing the same night at Columbia City Theater. Just a year on now, both bands are resizing their aspirations for bigger stages and with good reason. Both were announced for this year’s Sasquatch!, so with blackout dates surrounding that and the inevitable crush of summer festival season recruiting the hottest bands, we’re not likely to see a Seattle club show from either of these groups till late 2012.

We’ve got two tickets for the show to give to a random commenter who really wants them. We’ll choose a winner Friday at 12 noon.

Snag tickets ahead of time online for $15 from STG Presents. For this inaugural “Little Big Show,” part of a series of shows where ticket sales go to benefit local arts organizations, 100% of this night’s proceeds are going to Arts Corps.

January 17, 2012

Allen Stone with the Seattle Rock Orchestra at the Neptune Theater

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Allen Stone with the Seattle Rock Orchestra

Allen Stone with the Seattle Rock Orchestra ::: Photo by Josh Lovseth

A year before most of Seattle and its music press ever seemed to take notice, Allen Stone was already overselling his shows at small venues he’d booked himself, hitting the college circuit and making a name for himself. Though his largest Seattle booking prior to Saturday night was his June show at the Crocodile, now just six months past that, Stone was performing the first of two sold out nights with the Seattle Rock Orchestra doing his material at the 889 capacity Neptune Theater. Since the second show was precipitously added after the first sold out a month ahead of time, the room undoubtedly courted the most excited of his local fans, and the all ages crowd drew from every kind of person and a wide array of ages, though the ladies outnumbered the men in this crowd by a healthy margin. Lots of screaming and swaying women. Seattle crowds are known as notoriously staid, but not tonight.

Stone being joined by Macklemore midset felt appropriate, with echoes in the moment of Mack himself, Seattle’s biggest independent act having at this time last year sold out a total of three Showbox shows far ahead of time in a similar manner. Though Macklemore stepping on stage certainly brought its own level of excitement, Stone’s efforts to be the complete package entertainer on his own kept the night jumping from one high to the next, end to end.

Starting with a group of largely ballads from his first record Last to Speak, Stone sat on a stool and played his guitar as the SRO gave the detail of R&B elegance at its most splashy to songs his largely acoustic original album didn’t attempt. “Your Eyes” was the new and final track in the ballad set and had Stone at the end gracefully wiping away tears with his sweat, seemingly overwhelmed at the reality of this moment, that all these people were there to see him. He did warn us before hand that a few tears might be shed and to bear with him. Welcoming his own band in full to the stage he segued into a couple of crowd-pleasing covers, his live staple Bob Marley’s “Is This Love” and also Bonnie Raitt’s “I Can’t Make You Love Me,” which was major win among the ladies around me. I grew up on that Bonnie song, so me too.

At this point there was nothing left to do but to dig into the songs that have won him all these fans from his self-titled record and unleash the funk. Kicking off a second more lively set with his album opener “Sleep,” he segued seamlessly into “Celebrate Tonight” to get things warmed up, but it was the greasy dance showdown that provided the first peak of the night. The entrance side of the room did in fact slay my side of the room in the competition, and in fact slayed all sides I’ve ever seen at an Allen Stone show in the past year. They actually got greasy. It felt like a watershed moment when I expected no such thing, not in a million years in Seattle. Yet Stone made it happen through sheer force of entertainment.

Ben Haggerty’s collaboration with Stone on “Neon Cathedral” where Stone wrote a melody vocal for the still developing Macklemore rap track and the debut of it, as noted earlier, was a moment unto itself. But more than just a heavyweight collaboration, it was a public acknowledgement of one rising independent big dog from another and a tangling of the Town’s good fortunes. Soon thereafter “Satisfaction” as a closer provided another climax, but without “Unaware” having made an appearance, his prime-time jam, an encore was a given for this crowd and the buzz didn’t cease. That with Rock Orchestra and horn section in concert he then flawlessly delivers those spine-tingling high notes to provide the biggest peak to the night at the end of a long set speaks to how ready he’s been for this moment to come.

Kris Orlowski was handpicked by Stone as the acoustic nice-guy opener, and he had to contend with a restless crowd not really there for him. On the other hand to his advantage he was playing for a mostly college-oriented female crowd, which like for Stone, might be the strongest demographic target for his songs and good-looking charms. Only playing the first song alone, to rise above the noise he was joined by a parade of friends including Noah Gundersen, Dawn Mitschele, Zach Fleury, and as well for many of the songs, SRO and Macklemore & Ryan Lewis contributor Andrew Joslyn who with his fiddle helped some of these songs realize ambitions larger than just “singer-songwriter.” I have to admit, were Orlowski’s songs around in the days of Dawson Leary, the latest single “Way You Are” along with “Jessi,” “Waiting,” and “Your Move” probably would’ve all been WB jams.

Though in the soul tradition Allen Stone’s geek mystique is unmistakeably out of place and a curiosity in its own way, it is his voice and his passion that’s remarkable and sets him apart from other artists for his fans and this performance was an affirmation of that voice’s chops for those fans. Without that will to sing Stone would just be a hippie with thick glasses from a small town with “a stop light, a grocery store, and a whole lot of chewing tobacco” as he likes to say. If this weekend was any indication, his voice and big heart trumps any novelty his thick spectacles might temporarily introduce, and so this is just the beginning of what will be a huge 2012 for Stone.

 

Kris Orlowski and Noah Gundersen

Kris Orlowski and Noah Gundersen ::: Photo by Josh Lovseth

 

Allen Stone with the Seattle Rock Orchestra

Allen Stone with the Seattle Rock Orchestra ::: Photo by Josh Lovseth

 

Allen Stone with the Seattle Rock Orchestra

Allen Stone with the Seattle Rock Orchestra ::: Photo by Josh Lovseth

 

Allen Stone with the Seattle Rock Orchestra

Allen Stone with the Seattle Rock Orchestra ::: Photo by Josh Lovseth

 

Allen Stone with the Seattle Rock Orchestra

Allen Stone with the Seattle Rock Orchestra ::: Photo by Josh Lovseth

 

Macklemore and Allen Stone with the Seattle Rock Orchestra

Macklemore joining Allen Stone ::: Photo by Josh Lovseth

December 14, 2011

Our Favorite Photos of 2011: The Moondoggies

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The Moondoggies in Denver ::: photo by Abbey Simmons

The Moondoggies are obviously equipped for December year-round, so it’s ironic that December is the time we really get to see them strip off the checkered long sleeves and in their place rep their collection holiday sweaters. Have you got a problem with Christmas themed ties or woven wool reindeer with jingle-bell flare? Get over it. These men are comfortable in their skin no matter what, and so should you be. Below they take their holiday spirit to a new level with preview video for the show, where we find Carl like you’ve never seen him before… once, twice, three times… a lady?

The Moondoggies and Maldives Annual Christmas Spectacular goes down December 17th at The Neptune Theater, you can purchase your tickets online from STG.