I was privileged to have the opportunity to interview Ryan Bjornstad and Josh Hodges of Starfucker back in November, in the back room at the Vera Project prior to the Seattle show on their first ever nationwide tour. They had just swung through New York and CMJ and were about to hit the rest of the west coast after a week’s break in Portland.
Ultimately the interview proved to be the best that I’ve been involved with, revealing and in-depth, with both members being frank and honest about their previous band experiences, popularity and thoughts on the Portland music scene. As such I’ve included nearly the entirety of the 35 minutes of the interview in this post essentially unedited. It’s very conversational with alot of back and forth between the two, which makes for a long read, but I promise it’s worth it.
Ultimately Starfucker is a band that is always looking to have fun, and wants everyone else to have a little fun too, period. That a larger audience than their friends has grown for their music still seems almost unreal to them. That people are taking notice of a couple of guys who turned too much fun with looping pedals and fooling around the local DIY and house scene into another organically rising star out of the Portland scene still seems almost too much to believe.
Starfucker is playing the Vera Project this Friday, along with Guidance Counselor and Navigator vs. Navigator. The show is $9 ($8 with club card).
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Josh - SOTS: Tell me a little bit about Japan. How was it being the Portland ambassador to Japan?
Josh (SF): I don’t know man. I felt like someone fucked up and we Just got flown to Japan for free. And it was fun. And that was really it. It didn’t seem like what whatever someone was trying to do happened. Some how we got involved in a scam that worked out in our favor.
Ryan (SF): It did kinda seem like that because it was so disorganized. We never really knew what was going on half the time, unless we asked what was going on. I think it wasn’t necessarily their intention for that to happen.
Josh (SF): It was fun though. I think I’d like to live there.
Ryan (SF): I would have gone there no matter what, if it was paid or not. What happened with the show and all that stuff didn’t really make to much of a difference, it was the experience of the culture that was really nice.
SOTS: I saw your pictures. You guys were having fun with the signage… the english translations.
Ryan (SF): It was really weird. I don’t know if you saw that one picture that has Portland in the background. That was totally random. Jeff from Travel Portland, who was our cultural guide there, he was totally awesome, a really rad guy. He randomly asked his friend who was at this bar that we were at there if he knew anything about it, and it was actually his friend that had put it up.
Josh (SF): It said something weird too. Some girl on our myspace translated it as like “The Land of Commercial Success.”
Ryan (SF): The idea is i guess is that Portland is renowned for it’s for it’s urban growth boundaries, and these people in Japan are using it as an example for them. They really love Portland apparently.
SOTS: So CMJ. Did you guys get out of it what you thought to get out of it?
Josh (SF): We didn’t know what we were supposed to get out of it I don’t think. It was kind of all setup. We didn’t do anything to get those shows. We have a booking agent and he said “Oh yeah, you should play CMJ, I’ll make sure you can.” He hooked all these shows up.
It was fun though. We had three shows in one day. We were supposed to have four shows but one got canceled. It wasn’t as bad as i thought. Playing three shows. Driving around the city in our van that barely holds everything. It was fun. I think we all just love music. It’s just nice to be there.
CMJ was OK. I didn’t really watch many bands, except for Jay Reatard which is out in Brooklyn. So It was a little less hectic. It was fucking amazing. I just can’t even remember anything else. It was too mad. Craziness. Over by the Cake Shop and everything.
Ryan (SF): Plus, I think we viewed it as a nice break for us from being on the road. A lot of us viewed it as more like a vacation. Really hang out and get our bearings. So the madness of CMJ was at least for me, a little overwhelming at times. To be there when we’re not playing. But I definitely appreciate that…
I was talking to Josh earlier about this. But I really like the idea of this pilgrimage, all these bands from all across the United States, all going to this one place for these shows. For this one week of madness, or whatever, and then they all tour back out. And I imagine all the places around the country that don’t get to see a lot of good music, get to see a lot during that time. I like that idea.
SOTS: It seems that some bands go to South by Southwest with the idea that they’ll get noticed or notoriety or whatever. And that it’s one step. Somehow sort of randomly you guys sort of did. Just reading blogs as I read blogs… BrooklynVegan… Pitchfork did your video the other day. So it’s kind of organic. I thought that was really cool.
Ryan (SF): I feel like that’s how a lot of things have been going for us, alot of it happens really organically. Although there is some expectation with CMJ for a lot of bands, for us, we wanted to have fun and just play shows. To go there expecting notoriety or something is just setting yourself up for disappointment. There is just so much there. There is so much music, that it’s impossible to get “noticed,” unless your just having fun and doing what you normally do.
Josh (SF): I didn’t even know who BrooklynVegan was until we were out there. I don’t read blogs. Especially about music.
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