Kerry Zettel of See Me River ::: Portrait by Josh Lovseth
[This Friday, June 12, See Me River plays the Crocodile as a part of Noise for the Needy, with Grand Archives and A Curious Mystery.]
Noon. By the roller coaster. As I sat in a sunny cluster of picnic tables amidst the Fun Forest at Seattle Center, Seagulls circled and screeched overhead while curious tourists gawked before entering our town’s shiny tome to American music (and science fiction) the Experience Music Project.
This was where I was to meet up with See Me River front-man Kerry Zettel to talk a little about where his hardworking band was at right now. I had a few questions swirling in my mind that had been unanswered surrounding the transition of his focus to See Me River and the resulting dissolution of Das Llamas, a provocative rock band that I thought just wasn’t getting enough deserved attention. But I also had questions about what seemed a change in his songwriting attitude for his new band as well.
As our half-an-hour in the sun came to a close, and my questions were drying up Zettel remarked, “I think to not put as much effort into the lyrics as you do the music is to insult the listener.” It was an encompassing and revealing comment about just how serious Zettel takes being a musician.
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SOTS (Josh): I was starting off listening to your latest [The Great Unwashed EP], and the first thing that came across as interesting was “The Great Unwashed.” Was that directly inspired by the whole Obama experience that we’ve been having?
Kerry Zettel (KZ): Well… yeah?
SOTS: Was it written before or after he was elected?
KZ: It was written before. I guess what was going on around me, and my environment probably inadvertently affected the lyrics of that song. It’s just one of those things that you can get done if you put your head to it.
SOTS: It seemed very much a song of that moment. You’d said you recorded it in December… Maybe I was drawing too much of a direct line to it.
KZ: That’s the great thing, how everything is open for interpretation. Even stuff that is specifically about stuff people have misread, or whatever.
SOTS: I’m sort of interested to see your take on this, because it seemed like when you were doing that last Das Llamas record, it was a little more “disaffected with my fellow man.” This is a flip-flop of that.
KZ: Right. Absolutely. I definitely went from being massively frustrated with humanity in general, to just being stoked that people wised up. I would absolutely say that. That whole EP is about change, whether it be negative or positive, I just felt like it was a good time for that to come out mainly because there was a lot of change going on at that time.
SOTS: Especially since you played on that word ‘change’ in “The Great Unwashed” in that first section. I don’t know if you had like a real direct interaction with somebody who was homeless or something like that…
KZ: Every day. To go to work or just walk down the street, is always a weird interaction. I understand everyone faces their own personal battles, maybe you’re bipolar and unable to whatever… but there’s different things you can do to take control of your own life, whether it be through the resources provided to you, creating your own. So I just think human life is such a precious thing to waste it on not doing anything with your own.
SOTS: Does that feed into your own work ethic at all? See Me River is playing shows constantly…
KZ: Oh absolutely. Right. It’s just a matter of getting it done. I’m here, I may as well do something.
SOTS: One thing I also noticed as a difference between this new record and the older records, maybe because this is the first studio recording See Me River, was that… I think the old records it felt much more organic. And I was trying to figure out why that was. I think maybe you didn’t use a metronome much on the first couple records and this time you used a metronome.
KZ: Absolutely. Chris Common, the guy who recorded it is really anal about timing and pitch. Which is cool, that’s the reason why we went with him. Because we don’t have the best timing. Not to mention, for Time Machine, the drums were done as an afterthought, where as regular recording you do the drums first. Until Time Machine was recorded, we didn’t really have a lot of drums on stuff. And then Kellie got a lot more active as a drummer for the Great Unwashed.
We actually have an album that we’re working on right now, that we’re hoping to record in September. We’re doing pre-production on it in August in Montana. It’s written.
SOTS: Doing it with the same people?
KZ: Oh yeah. We’re going to go with Chris again. We already have some studio time booked to do some stuff. Cause the plan record eight to ten new songs, and then take maybe three songs off of the EP.
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