June 2, 2011

Sasquatch Day Four in Photos

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Macklemore ::: photo by Abbey Simmons

Slowly but surely we’re getting reviews up from the 10th annual Sasquatch Fest, but here’s one last photographic peek at Day Four’s festivities.

You can see all of our photos from Day Four on our Flickr.

Jaill ::: photo by Josh Lovseth

The Young Evils ::: photo by Abbey Simmons

The Young Evils ::: photo by Abbey Simmons

Twin Shadow::: photo by Josh Lovseth

Twin Shadow::: photo by Josh Lovseth

Noah and the Whale ::: photo by Abbey Simmons

Head Like A Kite ::: photo by Josh Lovseth

Black Mountain ::: photo by Josh Lovseth

Black Mountain Dancers ::: photo by Abbey Simmons

Stornoway ::: photo by Josh Lovseth

Stornoway ::: photo by Josh Lovseth

Sharon Jones and the Dap-Kings ::: photo by Josh Lovseth

Macklemore and Ryan Lewis::: photo by Josh Lovseth

Macklemore Crowd ::: photo by Abbey Simmons

!!! ::: photo by Josh Lovseth

!!! Crowd ::: photo by Abbey Simmons

Deerhunter ::: photo by Josh Lovseth

The Decemberists ::: photo by Abbey Simmons

May 23, 2011

Abbey’s Sasquatch Schedule

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Sasquatch ::: photo by Josh Lovseth

I still can’t believe Sasquatch is upon us this Friday, mostly because thanks to local weather patterns, I still can’t believe it’s May. But whatever the weather has led me to believe, the 10th annual Sasquatch! Music Festival (and the traditional start of local music fans’ summer) does in fact start this Friday and this is my personal schedule day-by-day. Josh and Phil will be sharing their Sasquatch schedules this week, as well as our unmissable sets of the Fest.

See you at The Gorge on Friday!

Friday May 27th

8pm: Death From Above 1979 (Mainstage) 9:30pm: Foo Fighters (Mainstage)

Sharon Van Etten ::: photo by Josh Lovseth

Saturday May 28th

12:00: Seattle Rock Orchestra (Bigfoot) 1:15: The Globes (Yeti) 2:15: The Head and The Heart (Mainstage) 2:30: Tig Notaro (Banana Shack) 3:15: Local Natives (Mainstage) 3:30: Dan Mangan (Yeti) 4:00: Sharon Van Etten (Bigfoot) 4:30: J. Mascis (Yeti) 5:30: Wye Oak (Yeti) 7:45: The Thermals (Yeti) 8:15: Bright Eyes (Mainstage) 9:00: Robyn (Bigfoot) 9:45: Death Cab for Cutie (Mainstage)

Mad Rad ::: photo by Josh Lovseth

Sunday May 29th

12:00: depending on my morning mood – Smith and Westerns (Mainstage) or Typhoon (Bigfoot) 12:15: Cotton Jones (Yeti) 1:00: Wheedle’s Groove (Bigfoot) 2:00: The Moondoggies (Bigfoot) 2:15: Fitz and the Tantrums (Mainstage) 3:30: Other Lives (Yeti) 3:45: Reggie Watts (Banana Shack) 5:15: Cold War Kids (Mainstage) 5:45: Mad Rad (Yeti) 6:45: Archers of Loaf (Bigfoot) 7:30: Gayngs (Bigfoot) 8:00: Flaming Lips (Mainstage) 10:00: Modest Mouse (Mainstage)

Deerhunter ::: photo by Abbey Simmons

Monday May 30th

11:30 – Wavves (Mainstage) 12:30 – Jaill (Yeti) 1:30 – Young Evils (Yeti) 2:00 – Noah and the Whale (Bigfoot) 2:15 – Head Like A Kite (Yeti) 3:30 – Black Mountain (Bigfoot) 3:45 – The Scott Aukerman & Paul F. Tompkins Show (Banana Shack) 4:10 – Stornoway (Bigfoot) 5:15 – Macklemore and Ryan Lewis (Bigfoot) 6:45 – Best Coast (Yeti) 8:00 – Decemberists (Mainstage) 9:00 – Deerhunter (Bigfoot) 9:30 – Wilco (Mainstage)

April 20, 2009

We Heartily Recommend: Noah and the Whale and Ferraby Lionheart

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noah and the whale

Noah and the Whale outside Chop Suey ::: Photo by Josh

At first glance this Tuesday’s pairing at Chop Suey might not see a natural bill, but having seen both acts personally, I think the shared acoustic proclivities and strong songwriting of both acts has the potential to really sway each others fans.

We had an absolutely charming interview with Noah and the Whale the last time they visited Chop Suey. In the time that they’ve been away they’ve been recording more new stuff, so I’d expect to hear a few more new tunes this time around. And Ferraby Lionheart says he’s recording a new album right now too, so the same probably goes for him.

Tickets for this all-ages show are $10 at Ticketweb, or $12 at the door. That this show hasn’t already sold out surprises me, so don’t wait till that last minute.

ferraby lionheart - neumos

Ferraby Lionheart at Neumos ::: Photo by Josh

January 3, 2009

Abbey’s 15 Favorite Concerts of 2008

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With nearly 200 shows under my belt in 2008, it’s hard to narrow down my favorites to just 15– but after much thought–here they are. I went for singular shows/sets, rather than including entire festivals such as Bumbershoot and Georgetown, which would have easily qualified for best of status. The photos are ordered, with my favorite show of the year on top and so forth. Hope you caught at least a couple of these shows in 2008 too!

Monotonix at The Sunset Tavern–and Ballard Avenue (9/28/08)

Dead Confederate at The Greenhouse (5/23/08)

Ice Age Cobra at The Key Bar in Austin (3/13/08)

The Shackeltons at Bumbershoot (8/31/08)

Slackfest 2008 with The Maldives, The Moondoggies, and lots more (8/24/08)

J. Tillman and David Bazan at Sunday Bloody Sunset (5/18/08)

Portugal The Man (with Wild Orchid Children) at the Do512 Party at SXSW (3/15/08)

Hopscotch Boy’s Final Show (6/8/08)

Sound on the Sound’s Blue Moon Birthday Bash w/Thee Emergency, Thunderbird Motel and Skeletons with Flesh on Them (1/12/08)

Black Eyes & Neckties at King Cobra (4/19/08)

The Trucks Final Seattle Show (10/12/08)

The Hands CD Release w/The Whore Moans at Neumo’s (3/1/08)

Ice Age Cobra’s Final Show (9/12/08)

Noah and The Whale at Chop Suey (9/29/08)

We Wrote The Book On Connectors CD Release Show (11/16/08)

 

December 29, 2008

Abbey’s Best Non-Local Releases of 2008

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Dead Confederate ::: photo by Abbey

Here’s a few of the albums that kept me in espescially good company when I wasn’t listening to my locals. (Also, when it comes to this list, “non-local” includes everything outside of Washington State, including Portland.)

For what it’s worth, the number one and two albums are virtually a tie. I’ve gone back and forth between the two of them interchanging the top spot for the entire month of December. Today’s the day I decided to post and it’s a Dead Confederate Day, tomorrow may be more Bon Iver-y. But I could stand by either as the best of 2008 with conviction.

1. Dead Confederate – Wrecking Ball |myspace| 2. Bon Iver – For Emma, Forever Ago |myspace| 3. The Black Keys – Attack and Release |myspace| 4. Dodos -Visiter |myspace| 5. The Notwist – The Devil, You + Me  |myspace| 6. The Raconteurs – Consolers of the Lonely |myspace| 7. Thao with The Get Down, Stay Down – We Brave Bee Stings & All  |myspace| 8. The Builders & The Butchers – The Builders & The Butchers |myspace| 9. Starfucker – Starfucker  |myspace| 10. Noah and The Whale - Peaceful, The World Lays Me Down  |myspace| 11. Ravens & Chimes – Reichenbach Falls  |myspace| 12. Land of Talk – Some Are Lakes |myspace| 13. The Shackeltons – The Shackeltons |myspace|

p.s. Just like Josh, my most listened to album of 2008 was The Avett Brother’s Emotionalism.

December 27, 2008

Josh’s Top 25 Releases of 2008

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Here is my list of what I consider to the be the “best” releases I’ve heard this year, full albums and EP’s, local and not, self-released or with a label. Regular readers probably won’t find too much surprising but there are a few that we may have not featured very much, probably because I just didn’t have too much to add to the already existing narrative. Most notable among that list is my number one choice From Emma, Forever Ago, by Bon Iver, AKA Justin Vernon. Each listen of this debut LP proffers a new detail to my ear and generates a renewed catharsis within my soul.

Before I start opining any further and get out of control (we’re saving that for next week’s official Northwest-themed lists), here are my favorites from the past year…

Josh’s Top 25 Releases of 2008

1. Bon Iver – From Emma, Forever Ago |myspace| 2. Dead Confederate – Wrecking Ball |myspace| 3. The Moondoggies – Don’t Be A Stranger |myspace| 4. J Tillman – Vacilando Territory Blues (Digital Release Only) |myspace| 5. The Whigs – Mission Control |myspace| 6. The Dutchess and the Duke – She’s the Dutchess, He’s the Duke |myspace| 7. Wild Orchid Children – S/T EP |myspace| 8. Kay Kay And His Weathered Underground – S/T LP |myspace| 9. Starfucker – S/T LP |myspace| 10. Cut Copy – In Ghost Colours |myspace| 11. The Notwist – Devil, You + Me |myspace| 12. Noah and the Whale – Peaceful, The World Lays Me Down |myspace| 13. Land of Talk – Some Are Lakes |myspace| 14. Fleet Foxes – S/T LP |myspace| 15. The Dodos – Visiter |myspace| 16 See Me River – Time Machine |myspace| 17. Jake One – White Van Music |myspace| 18. Whore Moans – Hello From the Radio Wasteland |myspace| 19. The Pica Beats – Bring Back the Claws … |myspace| 20. Thee Emergency – SOLID |myspace| 21. Lightspeed Champion – Falling Off the Lavender Bridge |myspace| 22. The Saturday Knights – Mingle |myspace| 23. Army Navy – S/T LP |myspace| 24. Horse Feathers – House with No Home |myspace| 25. Crystal Stilts – Alight of Night |myspace |

The album I listened to the most that was actually from last year but didn’t discover until this year…

The Avett Brothers – Emotionalism |myspace|

You’ll notice TV on the Radio, Of Montreal, Portishead, and Deerhunter aren’t in there. Nor Lil Wayne. I’m sorry (but not that sorry) to say I’ve listened to all of these records and they just didn’t do it for me. Dear, Science is certainly an innovative record, but I didn’t connect enough to warrant the repeated listens of those listed above. Vampire Weekend’s record is another that fits that profile, a well realized album that unfortunately for me is without any lasting impact. And I’ve diligently searched for the quality in the Deerhunter album that has everyone shouting, but I’m just completely missing it.

Today you can buy the MP3 album of Bon Iver’s For Emma, Forever Ago from Amazon for 5 bucks. After my ringing endorsement, and at that price, you have no good reason not to go get it.

October 21, 2008

An Interview with Noah and the Whale

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noah and the whale

Noah and the Whale ::: Photo by Josh

When Noah and the Whale made their first tour swing through the states, we had to sit down with them. For over a year they’ve been building a home following in Britain, tirelessly touring to ever larger audiences and releasing and re-releasing a single “Five Years Time,” which is just now making it to the states in a car commercial (discussed below). Following the release of their first full-length Peaceful, the World Lays Me Down in September, they immediately hit the States. We had the pleasure of catching up with them after sound check before their September 29, Chop Suey show.

Josh (SOTS): Do you feel a bit of an odd duck in the British popular music scene?

Doug Fink (NOAH): Oh yeah.

Charlie Fink (NOAH): To be honest, you know it’s so far removed, that you don’t necessarily feel apart of it. It’s only when you watch, like when they show the rundown of the top twenty videos, and they’ve got all these polished video’s of dancing, and then you’ve got our Super-8 kind of stuff.

(Matt) Urby (NOAH): We don’t know what it’s like to be in a band like a girl-band or a boy-band you know. You just do it how you do it, and that’s what you know.

Josh: Do you guys consider yourselves a pop band? I’ve heard the term anti-folk thrown around but I don’t even know what that means.

Doug: I think it’s all pop. I think if you’re in the charts, your pop.

Charlie: It’s pop, but it’s a new kind of pop. It’s like in the same way that Daniel Johnston is pop. Or Jonathan Rickman is pop.

Urby: It depends on what setting it’s in. You say on the charts and stuff, and ah… But live I don’t think of us as a relfex as a pop band. You kind of go out there and just go for it. When I think of pop, I think of a kind of sheen…

Charlie: It does have a kind of melodies and rhythms… so definitely

Josh: But do you think there’s an evolving idea of what pop is. Versus what the Beatles were…

Urby: In Pop music you’ve always needed melodies, and stuff that people can sing along to and get stuck in people’s heads. But everyone from Neil Young has said you can’t never underestimate a melody. Whether you’re looking at stuff like Nirvana, the Beatles, Buddy Holly, the Beach Boys, going all the way back. It’s all stuff that people can sing.

Doug: I think what’s changed the most about it is the technology in some ways. And that does dramatically change the sound of what popular music is. Cause the way we records is say similar say to what the Beach Boys or Beatles even. Just the nature of the sounds that we like. Whereas if you are a pop band now, you use a certain branch of technology that gives it this sheen. And that is actually a major difference. The recording process is what has changed it the most. Now everyone can access it and make changes ad infinitum.

Abbey (SOTS): Most American’s have been introduced to you through the Saturn commercial. How did that come about?

Charlie: I think we just got a phone call, saying do you want to do this commercial. Initially we were not so sure. I don’t know. I think… since taking it it’s been a real opportunity for us.

Doug: In the U.K. we haven’t done any adverts but we have managed to put ourselves on the map. and I think one of the biggest players in that is the radio. Cause you have National Radio Club where you can broadcast out to millions of people every day. But there isn’t really an equivalent for our kind of music in the states. And I think for us, the most important part of the advert was ability to open up another market, with another audience. Expose more people and putting it out there.

Charlie: It’s interesting how you phrase that question.

Abbey: I heard the album then realized I’d heard it before. My first thought was “What are the Magnetic Fields doing a car commercial for?” That’s very strange to me.

Charlie: It’s also amazing when you come over here, being in hotel rooms, flipping on the TV, and the artists that do do commercials here. Like David Johnston, Interpol had one…

Urby: The other thing is though, we’ve been on the road for two and a bit weeks now, and the tour’s been phenomenal because people have come. And if people have come to see our live show, and get the album, which are the two things that we feel really represent us, and they got to that, by the medium of just hearing it [in the commercial], that’s great.

Charlie: Funny enough, we’ve actually met a lot of people after the gigs and stuff… there’s this French website that we did the Take Away Shows with, and a lot of people have heard of us from there. Abbey: So are you guys done with 9-5 jobs for now?

Urby: Yeah… I’m glad to say

Doug: Although to be honest now our job is like 8-2. 8 in the morning until to 2 in the morning.

Abbey: What did you guys used to do as day jobs before this?

Urby: Tried not to think about it.

Charlie: I used to drive a van, delivering blood samples and urine samples.

Urby: He was a professional piss-taker. (Everyone laughs.)

Charlie: For driving around listening to music all day it was pretty good.

Urby: He took a chance on flesh. (Everyone laughs again.)

Charlie: You’re really bleeding that one dry now aren’t you… (Doug is losing his chair he’s laughing so hard.) Urby: Sorry. —

Noah and the Whale have just announced another North American tour for December and they’re coming back to Chop Suey once again on the 16th of that month. Complete tour details are below the fold.

(more…)

October 10, 2008

Not Very Nice Pitchfork

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Hey Pitchfork, I get it. You’ve established yourselves as the most critical mother fuckers on the internet… so, could you not aim for being the meanest too? As someone who writes about music, I get that there are albums you don’t like, hell I get it that there are albums you downright abhor. But this review is just mean.

And yeah, I like Noah and the Whale and their record, which you describe as “biting its best sensitive-indie forebears and then puking up all the most superficial chunks.” Eventually you proclaim the band should consider murder-suicide. And for someone who seems to get so little joy out of happy little pop songs, but all the joy in the world destroying those songs — we might recommend a similar path. 

An album and a band doesn’t need to be transformative or replete with a thousand obscure influences to be  worthy of a listen. So folks, ignore Pitchfork and take a listen to Noah and the Whale. They may not be the next Neutral Milk Hotel, but the record sure is fun fun fun!

October 6, 2008

An Invitation to Abbey’s September Listening

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See Me River - Time Machine The Lonely Forest - “We Sing In Time” Monotonix“Ride” Land of Talk - “Corner Phone” Noah and The Whale - Peaceful, The World Lays Me Down The Maldives“I Have Found” The MoondoggiesDon’t Be a Stranger Bark Hide and Horn - “Treasure of the Everglades” J. Tillman - “Minor Works” and “Steel on Steel” Kaylee Cole - “The Car Wreck Song”

September 29, 2008

Free Noah and the Whale Show Tonight

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When I say the words pop music what are the first acts who come to your mind? Britney Spears (who hasn’t put out a respectable single in ages)? Pussycat Dolls? Chris Brown? And in the “sensitive guy with a guitar” column we’ve got John Mayer, who can hardly even stand his own mushiness any more. Is this really what pop music is for us now? Fergie?

I’ve got eyes, and I think Rhianna is just about the hottest creature to be strutting this earth right now, but in my eyes, pop music has also become a distasteful caricature of itself. Overproduced songs, over-accessorized bands, choreographed moves, and expensive looking videos, videos and more videos are what is the perceived recipe for success for many of today’s pop stars. Heck, these days it seems you’re not even in the running to be a real pop star unless you’ve already been born and raised to be larger than life (see Justin Timberlake or Miley Cyrus).

All of this situation makes the case of London’s Noah and the Whale that much more curious. For the last two years or so they’ve been traveling Europe and gaining notoriety for their charming brand of pop (or “anti-folk” as some like to term it), music that’s distinctly quiet and analog while still striving for a completely orchestrated pop sound. Songwriter and singer Charlie Fink plucks away at his ukelele, while his band artfully usher’s him through his recounting of passing crushes and transient relationships, empty hearts and hopeful dreams. All they do is play their instruments as happily as they can manage, gleefully exempt from the worries of backup dancers, digested beats or furious stomp routines.

In Noah and the Whale’s first LP Peaceful, the World Lays Me Down, pop exists for the sake of pop, romanticism for the sake of romanticism, and “what if…?” for the sake of “what if…?” Charlie Fink comes off as a hopeless romantic, and like most of us, he get’s a bit overwrought from time to time. His band, which includes his brother Doug Fink (and emerging songstress Laura Marling on the album), never gets in the way of the bedroom tape feel of the most intimate moments despite being ever present with chimes and violins, and only elevate catchy songs like “5 Years Time” and “Shape of My Heart” to melodic pop gems with horns and three part harmonies.


Noah and the Whale plays a free show tonight, Monday September 29, with Grand Hallway and Lindi Ortega at Chop Suey for their Monday “Save a Penny Series.” Yeah you heard right: FREE. I think this band is meant to be experienced in an intimate setting, and gauging by their popularity in the UK so far I doubt they’ll be playing rooms any smaller than Chop Suey too much longer, so now might be our only chance on that count.

Myspace: Noah and the Whale