Macklemore ::: photo by Josh Lovseth

We won’t be donning green today to celebrate St. Patrick’s day, but we will be listening to Macklemore’s “Irish Celebration” a couple of times. We recommend you do the same.

Macklemore ::: Photo by Josh Lovseth

This party just get’s better every year. Two stages and a hip hop showcase? This is how Seattle’s party at SXSW should be going down. It’s happening Saturday, March 20th at the Beauty Bar, starting 12 noon. It’s no doubt free, but you’ll likely need an RSVP. We’ll keep you up to date on that info as it arrives. On to the good stuff. Peep this year’s lineup:

Main Stage
The Cave Singers
The Dutchess & the Duke
Fences
The Lonely Forest
The Moondoggies
Rocky Votolato

Second Stage
Grand Hallway
The Maldives
The Staxx Brothers

Hip Hop Showcase
Dark Time Sunshine
Dyme Def
Grynch
Macklemore
Mash Hall (formerly known as They Live!)
THEESatisfaction

Um… can this party happen in Seattle?

The second stage isn’t a side stage, it’s the stage where the big bands get more time to setup. And a hip hop showcase is long overdue. The organizers definitely made this a destination party that well represents the face of the emerging Seattle music scene at this very moment.

Follow the action on twitter with @sxswSeattleParT and be a part of the action by tagging your posts #TheSeattleParty and #sxsw.

Src: Austin Statesmen

MAD RAD ::: Photo by Josh Lovseth

I came into Thursday night’s free MAD RAD show at Neumos interested to see for myself whether MAD RAD’s allure had run it’s course, or if they might be able to sustain their present run as one of Seattle’s most notable/notorious live groups. Surprisingly, in the course of dropping three new songs as well as a ‘cover’ of Fresh Espresso’s  “Lazerbeams,” the actually did come out the other side feeling like something more than simply an unrefined brat-rap party group, or a passing fad.

Other than it being a free show, this show in particular was significant for MAD RAD on a couple of levels. As part of gaining their bad boy reputation MAD RAD had an encounter with Neumos security that caused them to banned from a number of area stages. In the intervening year since the incident, MAD RAD has continued to play where ever they were welcome and after a much talked about 2009 that included a Sasquatch set, a Block Party after-show at Chop Suey, and the GO MACHINE, they’ve consistently demonstrated a powerful enough draw that they couldn’t be willfully ignored any longer by venues on their home turf. Word has it the room this night reached capacity by 9.30. A few minutes of ear-pummeling bass and drums from PDX’s Breakfast Mountain prompted myself and Travis of Ear Candy to head to a just-as-crowded Moe Bar to meet a new writer of his and escape until the opener was done.

Macklemore’s fun loving ease and philosophical lyricism proved to be an ideal compliment and a much needed balance for what was to come: MAD RAD’s shameless pursuit of bacchanalia. In addition the live band he’s been using lately which included his recent cohort Ryan Lewis, Chris from FENCES spent most of the night on stage playing guitar and lending vocals. Of course a guest appearance by XP was in the cards, and even Champagne Champagne and Buffalo Madonna found themselves on stage for a rousing rendition of “Kings.” Everyone went appropriately ape-shit for the Unplanned Mixtape’s ode to Seattle “The Town,” while “Otherside” had an emphatic edge to the performance that I hadn’t detected before in the recorded or other performances. By the end third song, he had the crowd in his palm, echoing his “KA-KAWWWW” calls during breaks. By the opening bars of the final song “Irish Celebration,” as he paraded massive Irish Flag around, people were chanting the ‘Hey, Hey’ chorus part with no prompting.

MAD RAD have a rep for leaving damage in their wake and I was expecting a bit of it. Thought some might argue that it’s the mark of any good party, it’s largely been used as negative mark on the general rep of the group. If the gentlemen of MAD RAD were themselves in the course of a “dry” January, the very enthusiastic fans in attendance were in no way so constrained. I witnessed a number of fights nearly break out (there were a lot of cute girls), as well as felt the brunt of general sloppy-drunkenness in a way most 21+ shows don’t usually descend to (or ascend to, depending on your point of view). The irony of MAD RAD promoting such a lifestyle while they themselves were abstaining did dawn on me, and I smiled internally, though if anything they looked and felt like much more focused performers sans the substance. Buffalo Madonna was still Buffalo Madonna. And DJ Darwin was still his normal hyperactive wacky self.

Standing up front at first it felt as if I was the poser who didn’t know all the words to all the songs like the rest of the people around me. And then the irony of 70 percent of those people being girls giddily singing along to lines like “Crack that Blunt, Make it Pop, Pop that Pussy, Make it Pop” and “Pay Me, Bitches I have Come Here for My Money” began to sink in. Achieving the cognitive dissonance of accepting some of these songs as not being patently disrespectful to women mostly escapes me, even given MAD RAD would probably claim that many of the songs are dedicated to, interacting with, and loving womanhood. The three new songs fit easily into the synth-and-vocoder augmented aesthetic P Smoov is exploring with not only MAD RAD but also Fresh Espresso. One song called “Tiffany” had P Smoov lamenting how his girlfriend doesn’t like any of his friends and how they collectively are “fuel and fire.” That’s a line I don’t need to apply too much imagination to find it’s origin. Another memorable song reflective of P Smoov’s progressing production style is a song they contributed to the GIVE benefit comp titled “Strange Love in a Strange World.” While singing his opening verses, a squirming Buffalo Madonna, in what I can only infer were “seductive” motions, descended a ladder, before writhing on the floor for the remainder of the song repeating the chorus “All My Lovers, are Strange-ers!” Now this is what I was expecting. What was unexpected was the ‘cover’ of “Lazerbeams,” where they invited Fresh Espresso’s Rik Rude up on stage. Maybe I should’ve expected it, but it ended up being my favorite moment of the night.

While I don’t know if I’d use the adjective ‘triumphant’ to describe MAD RAD’s return to Neumos, I think the night can only be considered a success for MAD RAD. Given the expectation of general disorder up front I’d say Neumos or any venue hosting the band has their work cut out for them, but security handled themselves well, and MAD RAD were light on shenanigans this night to incite the crowd further. Chaos and antics aside, MAD RAD are an in demand act who by all indications have the momentum behind them to remain so for the foreseeable future. And the intent. As the name of their promotional collective/website bluntly states, they are genuinely ‘Out for Stardom.’ At least on Capitol Hill, they are undeniably already famous.

Macklemore with Ryan Lewis ::: Photo by Josh Lovseth

Macklemore with FENCES ::: Photo by Josh Lovseth

Macklemore’s “Irish Celebration” ::: Photo by Josh Lovseth

MAD RAD ::: Photo by Josh Lovseth

MAD RAD ::: Photo by Josh Lovseth

MAD RAD w/ Rik Rude - Lazerbeams! ::: Photo by Josh Lovseth

MAD RAD - Buffalo Madonna just can’t help himself ::: Photo by Josh Lovseth

Flickr: MAD RAD, Macklemore at Neumos, January 21st 2010

This list represents the strongest 25 albums we heard in 2009 from bands based in the Northwest. We approximated the Northwest as Vancouver to the North, Eugene to the South, Boise to the East, and the Olympic Peninsula West. Even though we snuck in a few Portland bands and a Vancouver band, this is largely a list of Seattle releases. We did our best to feature the vast array of the Seattle Sound in 2009, though there’s no denying some genres fared better than others–genres that you might be surprised by, genres we were surprised by. If there was any doubt left, 2009 proved Seattle isn’t just a rock town.

2009 was an incredible year for local music in Seattle. There’ve been some unnecessary put-downs of Seattle’s musical output in 2009, because the scene didn’t spawn a new Fleet Foxes, Band of Horses, or Death Cab for Cutie, and the biggest local record label didn’t sign a single Seattle band. That’s “the industry” and Sub Pop’s loss, not ours. Just because the rest of the world isn’t blasting The Maldives or Macklemore yet (or even if they never do) it doesn’t reflect poorly on the scene or the talented folks who call Seattle home. From our front row vantage point, Seattle had an embarrassment of riches in the local music department.

The local hip hop scene bubbled with excitement and slowly-but-surely burgeoned into a topic on everyone’s lips, thanks to the energy of head-turning acts like They Live!, Champagne Champagne, Fresh Espresso, Macklemore, as well as the notorious antics of Mad Rad. Across town from Pike St., Ballard Avenue continued to cultivate a tight-knit community of Americana and rockin’ country bands where pedal steel and fiddle were the instruments du jour. The Maldives, The Moondoggies, Sera Cahoone, Zoe Muth and so many others inhabited both the stages and the bars at the Conor Byrne, the Sunset Tavern, Hatties Hat, and the now 15-year-old environs of the Tractor Tavern, feeding a spirit of collaboration and verve. King Cobra, a rock club which opened up in 2008 in the wake of the Crocodile Cafe’s closing, shut its doors after barely a year of rough business–just in time for a newly revamped Crocodile (without the Cafe in the name) to reclaim its place in March as one of the premier venues in Seattle to see live local music.

While Seattle didn’t spawn a new Fleet Foxes sized success in 2009, we certainly won’t be surprised if a few of the many bands on this list find national attention come 2010. No matter what, we’ll look back on 2009 with warm nostalgia as a vibrant year of local music, when we saw these bands play in living rooms and local bars: the year Seattle knew the words before everyone else could sing along.

25. Zebra by Karl Blau (K Records)

Psychedelic shape-shifter Karl Blau creates an utterly Northwest soundscape that identifies strongly with the output of the Haight-Ashbury facilitated psych movement, as well as the more modern creative likes of Grizzly Bear. “Waiting for the Wind” reminds me of Esquivel’s avant, arty piano, while “Welcome in NW” sounds like it was banged out of an actual sixties basement, fueled by homegrown psilocybins. “‘Tha Ole Moon Smile” makes me do a “Is this a Sixto Rodriguez cut I haven’t heard?” double-take every time. Each new song turns in a completely different direction. By the end you’re left dazed, trying to decipher where you started and what just happened. What happened was Blau presented a reverent journey into musical history through a warped and hazy Technicolor filter. [Josh]

24. From Slaveships to Spaceships by Khingz (self-released)

Much like D. Black’s record this year, Khingz’ From Slaveships to Spaceships finds an MC ignoring hip-hop’s self-imposed strictures about toughness and content, and succeeding through sheer force of purpose and humor. Even though MC Khalil Equiano left town for a while and now lives in British Columbia with his significant other, he obviously loves his hometown scene and returned to the Northwest with this new album in tow, showcasing a rapid-fire rhyming style and spitting dense, wordy verses filled with references to science fiction and his former life on Seattle’s Southside. This is another record distinguished by its brazen autobiographical nature and the surety of the conclusions that follow. “Intellect is a weapon,” he says in “Escape Society.” “You’re at war, please respect it, your struggle is a blessing, embrace, don’t deflect it.” Hip-hop was once widely known as a vehicle for imparting social understanding, and Khingz’ latest is his contribution toward seeing it return once more to that primary function. [Josh]

23. Life On Earth by Tiny Vipers (Sub Pop Records)

Each time I listen to this record I’m reminded that I should probably mentally prepare myself before taking in a whole Tiny Vipers record, unsure if the tears that will inevitably form in my eyes are due to the inherent sadness being communicated, or if I can attribute it to the effect of the one-of-a-kind voice of Jesy Fortino. Four songs in, “Dreamer” hits the headphones; as she coos, “I’m dying for a way out,” I feel as though I’m vibrating on an inter-dimensional frequency, able to sense every haunting ghost, able to see each person’s natural aura of sadness in hues of deep blue. Even though I know this record isn’t for everyone, and though I can’t guarantee you’ll like this record as much as I did, I can guarantee it will change your perspective. If you let it, Life On Earth will overwhelm you. Whether you like it or not, the remainder of your day after a listen is liable to be heightened emotionally because of it. [Josh]

22. The Way We Live by Erik Blood (self-released)

It’s very possible that Erik Blood went around to every hot studio in London ,yoinked every good idea he heard and used it for himself. If he didn’t, maybe they should be coming to him, because he clearly has lots of good ideas. Early on, the title track, “To Leave America,” and “Home & Walk” all synthesize the best of the expansive guitar and organ Brit-rock sound (think Doves), while later in “Broken Glass” and “Too Early & Too Late” we’re notified Blood also has a handle on turning uncomplicated rhythms into sonically interesting pop songs that also sound modern. My one criticism of the record would be that the material is all over the place, and maybe he should have stuck to a rock record instead of including the final two R&B inspired cuts. But then again, “Better Days” is one of the stronger tracks on the record, fusing soul-ish singing with very rock backing to unexpectedly great results. There is something to be said for being able to do experiment with anything and make it sound not just good, but as good as those who do it best. [Josh]

21. Ali’Yah by D. Black (Sportin’ Life Records)

Though much of the recent focus on Seattle hip-hop has been tied to the so-called “3rd-wave” of party rap, one can’t ignore the continued influence of the second wave and its socially conscious approach to concept and performance. In his second album, Ali’Yah, D. Black does a 180 from his previous effort–a stereotypical rap record where he thought he had to be hard–instead opting to be completely REAL about his choices, his identity, and his mistakes. The record is an indictment of his former gangsta self, and by dropping in “The Return,” “I can’t associate with them fake ones/to add to their fake bullets coming out of fake guns,” he’s no doubt turning his back on old friends and the possibility of success by usual means. Yet one can only come away from this record with the conclusion that D. Black is not only confident in his conviction, but righteous. As I said earlier this year, “the force of his example on this record serves to quash any weak retorts that it’s not so easy to turn your back on the game. Not simply inflammatory words, he’s genuinely attempting to engage a nuanced conversation from the inside.” [Josh]

20. Shouting At A Silent Sky by Shane Tutmarc (self-released)

For almost the entirety of his musical career, Shane Tutmarc has been on a journey through history, beginning with an intense interest in classic pop lyricists before more recently being entranced by the gospel recordings of Elvis and the songs of the South. Billed as his first solo effort as Shane Tutmarc, Shouting At A Silent Skyis also probably the most complete, and therefore satisfying, of his recent records–though the Traveling Mercies records are notable themselves for their raw pre-rock quality. By recruiting a few ringers to form his studio support (local producer Johnny Sangster among them), Shane was able to focus on just being Shane at the mic, and the practiced performer really showed through. If Shane’s music occasionally seems styled from another era, just remember that when they came up with the term ‘Rock n’ Roll’, this is what they were talking about: dirtied up blues and church numbers warning about “Crimes of Passion” and the dangers of “Idle Hands.” [Josh]

Read the rest of Sound on the Sound’s Top 25 Northwest Albums of 2009 after the jump

Read the rest of this entry »

Front Row in the Rain at Macklemore during Bumbershoot ::: Photo by Josh Lovseth

“I get on stage, style, share my whole life, try to reach ‘em at the bar where they’re drinkin’ Miller Light.
But the kids in the front, they bring out the passion, dude. Make noise throughout the show, and not only when we ask them to.
I watch the older cats, jaded in the back, hand clasped, forgot when they weren’t too cool to be a fan. Damn. Hatin’ at the concert, you don’t remember RCKCNDY, watching Hiero or wylin’ out to alcoholics.
I know, it’s not the same, it never will be. But hey, my, my, my, my city’s filthy.”

- by Macklemore from “The Town”

Thanks for sharing 2009 and the front row with us. Have a happy and safe New Year!
See you in the front row in 2010 Seattle!

The Ironclads’ Front Row ::: Photo by Abbey Simmons

Passion Pit’s Front Frow ::: Photo by Josh Lovseth

The Maldives Front Row at Doe Bay Festival ::: video by Abbey Simmons

The Maldives ::: Photo by Josh Lovseth

These are the albums that defined my 2009. Some I consider to be the strongest local albums of the year while others held my attention and memory in a special way such that I kept coming back to them. While many of these albums are admittedly made by bands whom I’ve also developed a strong affinity for over the past year, this is an albums list, and not simply a “my favorite bands who over the last year put out a record list.” Seven of the top ten are acts I was not familiar with at prior to the start of 2009. This includes the Ironclads. Man, a lot has happened this year.

Though the concept of the “album” may not be as relevant as it once was, I still consider myself to be an album person, for me such a group of songs is an important body of work for helping me come to relate to and really like a band. A single song usually just doesn’t do it for me. Simply put, these are the releases from this year that I listened to all the way through, over and over and over again.

1. Listen to the Thunder by The Maldives on Mt. Fuji Records
Listen: Download an mp3 of “Tequila Sunday” courtesy of Mt. Fuji Records
If any band conquered Seattle in 2009 it was the Maldives. For so many reasons, this record was the most important record in my life this year.

2. Curse Your Branches by David Bazan on Barsuk Records
Listen: Stream the entire record at Barsuk.com
David Bazan isn’t simply a musician. He is a religious philosopher. You might say this is “The Book of Dave.” A deeply personal record with very real ramifications for those who might have questions like he did about the consequences and realities of his long held beliefs. Though I don’t count myself particularly religious, I identified. To my mind this is the best album about religion and family that Bazan has ever done.

3. Apple’s Acre by Nurses on Dead Oceans
Listen: Download an mp3 of “Caterpillar Playground” courtesy of Dead Oceans
Through the power of the Internet I came into the possession of a 30-minute single-file live recording of Nurses. I can say without hyperbole that this recording is the most played “song” of the last year on my iTunes. They are playful, unique sounding, and completely DIY. This is the quintessential example of what everyone hopes a Portland band can and will be.

4. The Space Between the Maps by The Ironclads (self-released)
Listen: Download an mp3 of “Alamagordo” courtesy of the Ironclads
Advanced garage pop that’s well traveled and downright bombastic. Inventive lead guitar work and imaginative storytelling are this foursome’s forte and the record is a successful recreation of their live aesthetic.

5. Lust for Life by Girls on True Panther Sounds
Listen: Watch “Laura” on Youtube
Sad Bastard pop that doesn’t make me sad. Sign me up!

6. Zoe Muth and the Lost High Rollers by Zoe Muth and the Lost High Rollers (self-released)
Listen: Get an MP3 version via KEXP Song of the Day
I’m waiting for one (or three) of these songs to be covered by Dolly Parton. Another record like this and Nashville is gonna scoop her up, post haste.

7. A Strange Arrangement by Mayer Hawthorne on Stones Throw Records
Listen: Watch “Just Ain’t Gonna Work Out” on Vimeo
A DJ becomes a soul crooner, FTW. An album that you never want to turn off.

8. Keep it Hid by Dan Auerbach on Bloodshot Records
Listen: Download an mp3 of
What’s old is new again. More please. Other bands should take notes. The Blues are your friend, and mine.

9. Fanfarlo by Fanfarlo on Canvasback Music
Listen: Stream the record at Fanfarlo.com
Fronted by a clarinet playing choir boy, Fanfarlo take the cake for making this year’s most accessible orchestral pop record, and the best thing I heard out of the U.K. all year long.

10. I and Love and You by the Avett Brothers on Columbia
Listen: Stream via theavettbrothers.com
The Avett Brothers made a massive followup effort to Emotionalism, that drops the emo that marked it’s predecessor while striking a more hopeful and romantic note. This is another album that I feel wrong turning off in the middle.

11. In Dearland by Elvis Perkins on XL
Listen: Watch “Chains, Chains, Chains” Directed by Seattle’s Sean Pecknold
Elvis and his cohorts delve deep into old Americana and early rock for a record that is uniquely sad in it’s disposition, but overflowing with happy in the energy and passion of the full band performance.

12. Vecktamist by Grizzly Bear on Warp
Listen: Stream the Video for Two Weeks
Maybe this album should be higher on the list, but when I first got a hold of it I felt like it was just too much. Now, I’ve come to feel like this is a bold statement, and these guys are the vanguard of modern pop.

13. Year in the Kingdom by J Tillman on Bella Union/Western Vinyl
Listen: Download an mp3 of “Earthly Bodies” courtesy of Western Vinyl
Just when I thought J Tillman’s voice was an ideal, he goes to work for the Fleet Foxes and comes out the other side an even stronger singer.

14. Logos by Atlas Sound on Kranky
Listen: Get an mp3 of “Walkabout” via FADER
This was my official go-to chill record this year.

15. The Life of the Of the World to Come by the Mountain Goats on 4AD
Listen: Download mp3 of “Genesis 3:23″ courtesy of 4AD
As many of John Darnielle’s albums can be, this one is a grower, that really hooks you after you listen to it by yourself for a while. Seeing the songs performed live with a bit of Darnielle’s humor added in between songs for context allowed me to listen anew, and understand better than how the songs initially came off on the record.

1. Widower by Widower (self-released)
Listen: Stream at Myspace

2. VS. by Macklemore & Ryan Lewis, (self-released free digital EP)
Listen: Download EP via Myspace

3. The Moondoggies by The Moondoggies on Hardly Art Records (for Record Store Day), Ltd. Ed.
Listen: Stream at Myspace

4. Don’t Piss into the Fire/Magic Mtn Single by Arthur & Yu for a Sub Pop Singles Club release for Record Store Day
Listen: Stream via Myspace

5. Fun & Laughter Land of Talk on Saddle Creek Records
Listen: Watch “The Man Who Breaks Things (Dark Shuffle)” at Vimeo

The ones I missed in 2008 and I banged the most in 2009:

Hometowns by The Rural Alberta Advantage (originally released 2008, digitally released with eMusic November 2008, then re-released by Saddle Creek Records in mid-2009).

We’re Still Here Missing You by Kaylee Cole (self-released in November of 2008)

The one from last year’s list that’s stood the test of time and stayed strong into this year

Caught In Trees by Damien Jurado, SOTS’s #20 Northwest album of 2008.
In retrospect, I should’ve probably lobbied for a top 10 spot for this album on that list.

The Ironclads CD Release Show ::: Photo by Josh Lovseth

As a person who goes to grippa shows, it’s a hopeless task to put properly put into any meaningful order the favorite shows they’ve been two beyond saying a few were the very best or stand out as special moments and deserve recognition as such for the annals. So I’ve chosen a list of twenty shows and sets from this year that I’ll never forget, presented in chronological order.

Blind Pilot @ The Triple Door (January 2009) - read the full review

The Murder City Devils first show back at the Showbox at the Market (February 2009) - read the full review

Dan Auerbach at the Showbox at the Market (March 2009) - read the full review

The Ironclads CD Release w/ Hands, Whore Moans, What What Now (April 2009) - read the full review

Blue Moon 75th Anniversary Show w/ High Class Wreckage, Thee Emergency, Hopscotch Boys, and The Whore Moans (April 2009) - read the full review

The Lonely Forest CD Release at the Vera Project (April 2009) - read the full review

Bon Iver at Sasquatch (May 2009) - read the full review

Nurses at the South Pole (DIY venue) (June 2009) - read the full review

David Bazan in a Living Room in Edmonds (June 2009) - read the full review

Robin and Josh ::: Photo on Film by Josh Lovseth

Robin Pecknold at Neumos (July 2009) - read the full review

Rural Alberta Advantage at the Sunset Tavern (July 2009) - read the full review

Widower, Pearly Gate Music, Final Spins at Sunset Tavern (July 2009) - read the full review

Doe Bay Fest (August 2009) - read the full review

The Maldives CD Release at the Tractor Tavern w/ The Moondoggies and Zoe Muth & The Lost High Rollers (August 2009) - read the full review

Macklemore at Bumbershoot (September 2009) - read the full review

Dirty Three at the Crocodile (September 2009) - read the full review

Fanfarlo at Chop Suey (September 2009) - read the full review

Grizzly Bear at the Moore (October 2009) - read the full review

Black Eyes & Neckties Last Show (October 31, 2009) - eulogy never written

Regina Spektor at the Paramount (November 2009) - read the full review

Taking in the Bay at Doe Bay Music Fest ::: Photo by Abbey Simmons

“Eet” by Regina Spektor

Here is my list of thirty songs that dominated my iTunes, the songs that moved me to learn them on guitar, and the songs I will identify with 2009 forever. In no particular order. Though I suppose the top five could be my top five.

“Walkabout” by Atlas Sound + guest Noah Lennox from Logos (Kranky/4AD)
Listen: Get mp3 via FADER

“Technicolor” by Nurses from Apple’s Acre (Dead Oceans)
Listen: Download mp3 courtesy of Dead Oceans

“Lisztomania” by Phoenix from Wolfgang Amadaeus Phoenix (Glassnote)
Listen: Stream at Myspace

“World News” by the Local Natives from Gorilla Manor (Rough Trade/Frenchkiss)
Listen: Download a live version via a Daytrotter Session

“Come Monday Morning” by Widower from Widower (self-released)
Listen: Stream at Myspace

“At the Cut” by the Cave Singers from Welcome Joy (Matador)
Listen: Download mp3 courtesy of Matador Records

“Comets” by Fanfarlo from Fanfarlo (Canvasback Music)
Listen: Stream at Fanfarlo.com

“Alamagordo” by the Ironclads from The Space Between the Maps (self-released)
Listen: Download MP3 courtesy of the Ironclads

“Young Heart Sparks Fire” by Japandroids from Post-Nothing (Polyvinyl Records)
Listen: Download MP3 courtesy of Polyvinyl Records

“Eet” by Regina Spektor from Far (Sire Records)
Listen: Watch the Video above, Stream at Myspace

“Walk Away” by The Maldives from Listen to the Thunder (Mt. Fuji Records)
Listen: Stream a Video from a KEXP In-Studio

“Just Ain’t Gonna Work Out” by Mayer Hawthorne from A Strange Arrangement (Stones Throw Records)
Listen: Stream the Video at Vimeo

“Ready, Able” by Grizzly Bear from Vecktamist (Warp Records)
Listen: Stream the Video at Youtube

“For Now” by People Eating People from People Eating People (The Control Group)
Listen: Stream at Myspace

“Lust for Life” by Girls from Lust for Life (True Panther Sounds/Matador Records)
Listen: Download MP3 courtesy of True Panther Sounds/Matador Records | Watch the Video Below

“Lust for Life” by Girls (Safe Version)

“Lazerbeams” by Fresh Espresso from Glamour (Out for Stardom)
Listen: Stream the Video at Youtube

“The Town” by Macklemore from The Unplanned Mixtape (self-released)
Listen: Stream the Video at Youtube

“Otherside” by Macklemore and Ryan Lewis from VS. (Sound Records)
Listen: Download VS. EP courtesy of Ryan Lewis Productions

“You Only Believe Me When I’m Lying” by Zoe Muth & The Lost High Rollers from Zoe Muth & The Lost High Rollers (self-released)
Listen: Download MP3 via KEXP Song of the Day

“Stillness is the Move” by the Dirty Projectors from Bitte Orca (Domino Records)
Listen: Stream Track via Domino Records

“Magic Mtn” by Arthur & Yu from Don’t Piss into the Fire Sub Pop Singles Club Record Store Day Release and Hardly Art Label Sampler (Sub Pop/Hardly Art)
Listen: Download Track at Amazon via Hardly Art

“Let Me Fall” by the Final Spins from THIS IS THEN/THAT WAS NOW (self-released)
Listen: Download MP3 via KEXP Song of the Day

“Ed Jackson” by See Me River from The Great Unwashed EP (Aviation Records)
Listen: Download MP3 via KEXP Song of the Day

“Oh Oh Oh Oh Oh Oh Oh Oh Oh” by Say Hi from Oohs and Aahs (Barsuk Records)
Listen: Download MP3 courtesy of Barsuk Records

“Please Baby Please” by David Bazan from Curse Your Branches (Barsuk Records)
Listen: Stream a solo version at youtube

“The Perfect Space” by the Avett Brothers from I and Love and You (Columbia)
Listen: Stream via theavettbrothers.com

“What Took So Long” by the Moondoggies (unreleased)
Listen: Download a live session version via Luxury Wafers

“Summer of Hate” by Crocodiles from Summer of Hate (Fat Possum Records)
Listen: Download MP3 courtesy of Fat Possum Records

“Isabella” by Lands & Peoples from Lands & Peoples EP (self-released)
Listen: Stream via Bandcamp

“Norway” by Beach House from Teen Dream (Sub Pop)
Listen: Download MP3 courtesy of Sub Pop

Mad Rad at Sasquatch ::: photo by Abbey Simmons

Love ‘em or hate ‘em Mad Rad made an indelible mark on local music in 2009. Even if you’d never heard a Mad Rad song or attended a Mad Rad show, you knew the band’s name. I’m pretty sure my parents know the band’s name. Their 2009 was a collision course to redemption, having started ‘09 being ousted from local venues and by the end of ‘09 being (literally) embraced by the future Mayor of Seattle and asked back to seemingly every venue that had banned them. Love ‘em or hate ‘em — Mad Rad was a phenomenon in ‘09 and considering there are no better self-promoters in town, their reign as the resident bad boys of Party Mountain won’t be ending on December 31st, 2009.

In celebration of their redemption and successes Mad Rad and Out For Stardom are throwing a Free show on January 21st at Neumos. The show is being billed as  Mad Rad and Friends, which is promising indeed.  Knowing full well what Mad Rad is capable of, we suspect it will be a spectacle you won’t want to miss.

Mad Rad at Sasquatch ::: Photo by Josh Lovseth

I don’t think we’ve ever had so many near-consecutive posts praising an artist on Sound on the Sound…but we would be seriously remiss to not post this celebration of local hip hop and Seattle. 

Just released today, Macklemore’s video for “The Town” (one of my favorite songs of 2009) is absolutely beautiful. It’s been around for mere hours and I don’t feel it’s hyperbole when I say it’s one of my favorite videos of 2009.  Congrats to Macklemore, video producer Zia Mohajerjasbi, and 206 Hip Hop — you all deserve to be celebrated for this. Seems a fitting tribute to end a triumphant year for local hip hop.