June 20, 2012

Sasquatch’s MAINE Stage (not Main Stage)

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Fatal Lucciauno

Fatal Lucciauno ::: Photo by Josh Lovseth

The smallest stage was nestled on a hill in the center of the Gorge grounds but played host to some of the weekend’s biggest personalities and most entertaining sets. Whatever you might think of Seattle as a hotbed, this year’s edition of Sasquatch’s hip hop focused Maine stage (as in the northeastern state and the slang?) each day was a glorious afternoon primer in the best the 206 has to offer. The inclusion of Sub Pop’s dynamic interconnected duo of duo’s THEESatisfaction and Shabazz Palaces on larger stages elevated the weekend from a primer to an eloquent treatise on the finer points. Situated just yard from the Banana Shack dance tent with crowds constantly passing by, a few groups stuck out for their ability to deliver an attention-grabbing set under a dusty sun and divert folks from the oh-so-enticing lasers.


Metal Chocolates [Friday]

Late afternoon Friday Producer/MC OC Notes and Fresh Espresso MC Rik Rude had the unenviable job of keeping Girl Talk fans interested for more than 45 seconds. Upon hearing of their taste for blunts in the opening remarks, one such fan was kind enough to dance and roll a lengthy blunt at the same time (mad skills!), and pass it to the stage mid-burn. Like DTTC (see below) the duo’s goofy repoire could just as easily have been booked in a transition slot between comedy and dance music in the Banana Shack. The unofficial dancers who made their way to the stage weaving between the duo as the pair themselves dropped lines over OC Notes basement beats, wouldn’t be the last time the crowd took to the stage to show their approval and participate.


Metal Chocolates

Metal Chocolates ::: Photo by Josh Lovseth


Fatal Lucciauno

::: Photo by Josh Lovseth


Fatal Lucciauno [Saturday]

Fatal Lucciauno’s set was host to probably the most frenzied crowd at Maine Stage I saw all weekend (though apparently Sol’s was also hype). Lucciauno’s a street poet who commands his audience, providing a scathing entertainment to emphatically point middle fingers in the air with. He’s utterly comfortable with the core traditions of rap, and often riffing a capella his self-confident literate performance leaves little room for doubt about his command. After his crowd took over the stage Lucciauno ventured into the audience and surrounded himself, feeding off of the crowd’s response himself and going even harder. It was a rare positive feedback loop I can’t say I’ve often experienced, and expected least of all at a massive festival.


Don't Talk To the Cops

Don’t Talk To the Cops ::: Photo by Josh Lovseth


Don’t Talk to the Cops [Monday]

There are joke bands and then bands that make jokes. Late Monday night Jack Black and Friends doing “The Pick of Destiny” with a giant inflatable cock-and-balls as a backdrop were the joke, and a tired one that didn’t bear repeating after 2006 (or maybe even in 2006). Earlier that day on the other hand Emecks and BlesOne (and DJ El Mizell) were a band for whom life is the joke to be constantly milking amusement out of. Ferociously serious about being unserious, their coordinated dances and uncommonly wry raps about coffee and getting rich lend a light-heartedness to the very important business of ushering along the party times. In short, they were perfect for Sasquatch.


Don't Talk To the Cops with OC Notes

Don’t Talk To the Cops ::: Photo by Josh Lovseth

June 15, 2012

Saturday at Sasquatch

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Pickwick - Hacienda Hands on the Mainstage

Hacienda Hands on the Mainstage ::: Photo by Josh Lovseth

Saturday’s Sasquatch was marked by both the bigger names and the up-and-comers in our schedule really showing up for the crowd.

Pickwick –> Charles Bradley and the Menahan Street Band on the Sasquatch Mainstage

Pickwick’s selection to open the Saturday mainstage put the band on their biggest stage yet, and they proved their booking wise with one of the more fiery performances I’ve seen from them and with it the biggest showing of Hacienda Hands yet. The “Screaming Eagle of Soul” Charles Bradley and his Menahan Street Band followed them up and with a combination of expert hip shaking and robot moves that never fails to bring a smile. With such a strong showing by both bands my only lament is that this pairing wasn’t on later in the so they could be in front of more people.

Alabama Shakes

This actually from Alabama five-piece is the latest band find a tidal wave of early interest thanks to the magnifying effect ye ole Internet, and yet they actually have the chops to be deserving of those roving eyes and ears. A southern Soul band the likes of which recent generations haven’t seen, lead singer Brittany Howard sings intuitively and full throated over a locked in guitar groove. By contrast to the buttoned up and tightly rehearsed soul of yesteryear putting spit and shine on life with harmonies and a horn section, the Shakes garage gospel is naturally funky and rough, not just “rock” but a true helping of vintage “rock and roll” to stir up the adults as much as the kids.

Shins –> Jack White

The newest iteration of the Shins has James Mercer surrounding himself with a group of ringers to bring life to the latest batch of songs and breathe some into plenty of old ones. The differences caught me off guard at first, but I mostly dug the rhythm changes Mercer thew our way. Jack White’s surrounded himself with his own set of ringers, and too be sure, they are also unfuckwithable. It’s an ultra-competent gospel leaning blues band that White has probably always wanted to assemble as a backing, one where the band stands out as much as the frontman. And as we all know, that is really saying something.

 

Pickwick

Pickwick ::: Photo by Josh Lovseth

Pickwick

Pickwick at Sasqatch ::: Photo by Josh Lovseth

Charles Bradley

Charles Bradley ::: Photo by Josh Lovseth

Charles Bradley dance circle

A Charles Bradley dance circle ::: Photo by Josh Lovseth

Charles Bradley & His Extraordinaires

The Screaming Eagle of Soul ::: Photo by Josh Lovseth

Blitzen Trapper

Blitzen Trapper ::: Photo by Josh Lovseth

Craft Spells

Craft Spells ::: Photo by Josh Lovseth

Fatal Lucciauno

Fatal Lucciauno ::: Photo by Josh Lovseth

Fatal Lucciauno

Fatal Lucciauno gets into the crowd::: Photo by Josh Lovseth

Alabama Shakes

Alabama Shakes ::: Photo by Josh Lovseth

Kurt Vile and the Violators

Kurt Vile and the Violaters ::: Photo by Josh Lovseth

Dry the River

Dry the River ::: Photo by Josh Lovseth

The Shins - Richard Swift

The Shins – Richard Swift ::: Photo by Josh Lovseth

Shins Crowdsurfer

Shins Crowdsurfer ::: Photo by Josh Lovseth

The Shins - James Mercer and a Sasquatch

The Shins – James Mercer and a Sasquatch ::: Photo by Josh Lovseth

Jack White

Jack White ::: Photo by Josh Lovseth

May 8, 2011

Sound on the Sound Mailbag (Mother’s Day Edition)

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retro-faucet1

Happy Mother’s Day!

You probably didn’t know this, but I keep a diary mailbag for all Sound on the Sound’s readers. When your real-life friends aren’t enough, when your family has decided that you are a racing horse with a broken leg, when your parole officer simply “doesn’t have time for this emotional shit,” you come to me. Usually your cries for help get lost in the trillions of press releases I get about bands I don’t care about. However, every once in a while, I will take time out of my busy schedule to put a star next to your e-mail in my Gmail account. Then many days later, I will resurrect your problems and put a metaphorical band-aid on all your ouchies. I do this because I want you to sleep with me it’s been a long winter and I don’t want to inspire anymore depressed singer/songwriters. I’m hoping if I cheer enough people up, we can eliminate contrived folk music, together. Let’s go to the mailbag….

Dear Phil,

My mother is really into BOAT’s latest album Dress Like Your Idols. She’s always blasting it in front of my friends, while she’s force-feeding our cat anxiety pills and when she does P90x workouts. I’m a huge fan of BOAT but I’m afraid if my mother keeps on getting down with this “sloppy guitar pop” that I will grow to hate BOAT. I blame my sentiment on that whole “You Can’t Like What Your Parents Like” teenager syndrome. What should I do?

- Forever in Armitron (Tacoma, Wa.)

Dear Forever,

I totally understand what you are saying. When I was growing up I was really into Tony Orlando and Dawn. My love for Tony and his hair was so intense that I actually developed a rare childhood disorder where I went around tying yellow ribbons on every tree I could see. My mother ruined it by becoming a bigger Dawn fanatic that I could ever dream of. What you need is an alternative. Are you familiar with Neighbors? They don’t sound like BOAT, but they are cool, just like BOAT. You like Stephen Malkmus right? Well, unfortunately for you, he’s not in this band. Nevertheless, if Mr. Malkmus ever listened to Neighbors, I bet he’d approve.

Dear Phil,

My parents just recently got divorced and I’m having trouble dealing with it. To make matters worse, my mother’s main reason for filing for divorce? She wants to be “hood rich.” She’s tired of tangible wealth, valuable assets and a good credit score. She wants to be with a man, who doesn’t mind stabbing another man, when it comes down to who is getting stuck with the bill at Denny’s. Where can I find such a man?

- Searching for Chris Brown (Tukwila, Wa.)

Dear Searching,

Good grief, your mother sounds like a psycho hosebeast pretty unreasonable woman. I don’t think she wants a man with a felony on his record. I am under the impression that your mother is looking for some adventure. After you take her out for brunch today, you should seriously consider taking her to Nectar tonight for Raekwon and Fatal Lucciauno. Are you going to find a felon there? I couldn’t tell you. What I can tell you is that Raekwon put out one of the most iconic hip-hop records of all-time (Only Built 4 Cuban Linx) and that Fatal has been a Seattle hip-hop mainstay for as long as I can remember. Tickets are $20 and the doors open at 8pm. Don’t forget that you’re the one paying for the tickets! There’s a place in hell just for you if you let your mother foot the bill on Mother’s Day!

ps – If the bitch wants doubles, buy her doubles!

Dear Phil,

I recently just got engaged to the most wonderful woman in the entire world. My only problem is that my wife-to-be has a mother that really likes Steve Miller Band. It wouldn’t be that bad if she were only into Fly Like An Eagle, but she never stops playing Side A of Abracadabra! It’s killing me. I don’t want to call off the engagement but I’m seriously considering washing my hands of all this nonsense, calling up an ex-girlfriend I don’t even like, knocking her up, doing the honorable thing and marrying her, rearing some children, working a job that I hate, becoming addicted to booze and Viagra cocktails, searching for my spirit animal, thinking about moving to Hollywood… [letter continues for another 600 words..too long to publish]

- The Joker (Seattle, Wa.)

Dear Joker,

Settle down man, I am not a miracle worker. I can’t help you find your spirit animal.  What I can do is give the best possible advice on getting your future mother-in-law to eliminate her Steve Miller Band fetish. Seriously though, why Abracadabra? This is a code red. We’re going to have to bring out the big guns. You need to let this woman know that you have a heart that beats. It’s 2011 and we need to podcast your intentions. My advice, soften her up a little bit with some John Heart Jackie, Smokey Brights, Youth Rescue Mission and Lemolo. I officially endorse all four of those acts. In fact, that Youth Rescue Mission record is absolutely crushing my soul right now. It’s so good. However, you don’t want said mother-in-law to think you’re a complete pussy that you are eager to follow in the footsteps of Chris Carrabba and/or Morrisey. You’ve got to show the mother of your future wife that you don’t mind catching an assault charge if someone looks at your old lady the wrong way. What better way to illustrate this than by giving her some Carbomb, Racebannon, Wizard Rifle and Owen Hart tracks? You want to show that you’re Prince Valiant and can protect your woman? Don’t buy a gun, create an effective podcast that will win the heart of your lover’s mother. Last but not least, you don’t want to come off as a man of extremes. Nothing is scarier than a man who hides his emotions like a real fucking man can’t control his emotions. You need to include some OCnotes, Battlestations and Gun Outfit in that podcast as well. Let her know that just because you’re an overgrown man-child that can’t fucking deal reality sometimes, at least you think critically about the fact that you can’t get your shit together.

Keep those emails coming. Until next time…

October 1, 2009

Saturday is all about all-ages Hip Hop

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freshespresso

Fresh Espresso ::: photo by Josh Lovseth

Courtesy of the Seattle Weekly and REVERBFEST happening this Saturday, the all-ages stage situated at the New York Fashion Academy on Ballard Avenue might be the most exciting single day of local hip hop on a single stage this city has seen all year. Curiously, that same day the Vera Project plays host to an all-ages CD release party for D. Black’s Ali’Yah featuring RA Scion’s new project Victor Shade.

It’s an unusual day for the local all-ages scene that a stacked lineup happens at all, let alone two of this magnitude. We’ll definitely be starting our day with a little Fresh Espresso.

REVERBFEST, October 3rd, 2009 (Get an all-ages wristband for only $5) New York Fashion Academy (all-ages) 5201 Ballard Ave NW

10:30 – Champagne Champagne 9:30 – Thee Satisfaction 8:30 – Fatal Lucciauno 7:30 – Spaceman 6:30 – SK 5:30 – GMK 4:30 – Grynch 3:30 – Fresh Espresso

The VERA Project, October 3rd, 2009 at 7:30 ($10 at TicketWest) D. Black Ali’ Yah CD Release Party Ra Scion as Victor Shade Sol Jern Eye KnowMads DJ Bean One Hosted by Geo of Blue Scholars

September 21, 2009

The Second Coming of D. Black

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D. Black and Spaceman ::: Photo by Josh Lovseth

“Forget about yesterday, today won’t be the same, and we won’t know, what tomorrow brings…” – Refrain from “Yesterday” by D. Black on Ali’Yah

Sometimes it’s hard to imagine the person we once were. We dread to recall the downright stupid philosophies of our youth and the havoc our own actions have wrought as a result. Yet those are the things that made us who we are now, the important mistakes and miscalculations that changed our trajectory in life and served as learning experiences that (hopefully) made us wiser in the end. And so it can be just as hard to imagine life as being lived any other way. Without a doubt Sportn’ Life rapper D. Black doesn’t relish his former self, and though that life plays a key role in the compelling impetus of his second record Ali’Yah, he seems determined to move beyond his youth with purpose.

Talking big and acting big is part of the hip hop game, and D. Black’s early material reflects that expectation, doing his best to amplify the often gritty vision of urban life-as-struggle. For Ali’Yah though, D. Black is done playing that game the same way. Like his labelmate Fatal Lucciauno, he’s made a life decision to control his own path, and not let the expectations or demands of a fickle industry distract him from his true calling as an urban philosopher committed to music. The first song from Ali’Yah “What I Do” lays all of this out literally while in “The Return” he’s bluntly rhymes “I can’t associate with them fake ones/to add to their fake bullets coming out of fake guns.”

Socially-conscious hip-hop isn’t exactly new in the Seattle area, yet in Ali’Yah D. Black takes the road less traveled, earnestly depicting himself, his former life, and his own impact in the context of the real world consequences. And he is thinking about impact, not just getting by by doing what you “have to” do. Interludes typically inhabited by repping or something funny or stupid, are instead setting the tone of challenge on the record just as much as the songs. At the end of “What I Do” the channel changes and a voice pipes up: “The question stands, as a genre that uplifted and inspired so many of us, is it now poisoning itself?” These are hot words for one who is himself trying to gain traction in the hip-hop scene, and some will call him preachy for it, yet the force of his example on this record serves to quash any weak retorts that it’s not so easy to turn your back on the game. Not simply inflammatory words, he’s genuinely attempting to engage a nuanced conversation from the inside.

For Wednesday night’s CD release show at the Crocodile, much of the local hip-hop community was in the house either to take a step on stage or simply to show support for D. Black and his latest effort. Spaceman was hosting, and he was determined to make sure his boy had a great show. Darrius Willrich started the night out at the keys, bringing me back to my Stevie Wonder period in college. Dyme Def then followed They Live! who both put up energetic performances to a slowly warming crowd. Once D. Black hit the stage though, the crowd quickly thickened up front into a sea of swaying hands raised in in the shape of an “L.”

While D. Black may be done playing by anyone else’s rules, he certainly hasn’t turned his back on bringing the energy and performance that’s generally expected of a quality hip-hop show. Fully engaging the crowd, he was all smiles and thank you’s, especially for the night’s DJ and prolific producer Vitamin D, a tireless advocate for local hip-hop artists for years. Grynch, Spaceman and Fatal Lucciauno all reprised the roles they played as guests on the album (much like D. Black’s recent Bumbershoot performance), while Sportn’ Life “princess” Marissa made a late set appearance to provide backing vocals on Ali’Yah‘s first single “Yesterday.”

As D. Black did the roll call, “Where my South Enders at? Where my North Enders at? Where my blacks at? Where My Jews at?….” he included every group, and got a loud response every time. This moment demonstrated his wide ranging appeal in a striking manner, yet given the dynamic performance it came as no surprise. The next day Abbey commented via twitter, “I’m going to finally say it out loud — local rockers could learn a thing or two from local hip hoppers in terms of performance.” As I left the Croc that night, I couldn’t help but think exactly the same thing.


Darrius Willrich ::: Photo by Josh Lovseth

They Live! ::: Photo by Abbey Simmons

Dyme Def ::: Photo by Josh Lovseth

D. Black ::: Photo by Josh Lovseth

Flickr: D. Black’s Ali’Yah Release Party at the Crocodile