February 27, 2010

Fanfarlo with April Smith and the Great Picture Show at the Crocodile

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fanfarlo

Fanfarlo ::: Photo by Josh Lovseth

I’m on time for work, always. So why do I have to be late for shows, even when I am actually trying to show up on time? Inevitably, the shows we end up late for have a super sweet band who we catch only a song or two of. Dropping in on the second to last song of April Smith and the Great Picture Show who was filling the early opening slot for Fanfarlo, might’ve been the worst mistake I’ve made yet this year. People were swing dancing up front, and everybody I talked to was talking about her after the set. Oh well, next time I guess. There will definitely be a next time. She has personality.

This was already my “next time” with Fanfarlo, and once again I had enticed a few others to come out to the show. Though Fanfarlo is a U.K. based band, they’ve hardly been resting on their laurels and have been working Seattle hard, swinging through three times in the last six months. Considering they’re still a relatively new orchestral indie band, the buzz in the room just preceding the set felt unusual, and once things got going an unusual amount of dedication was out on display. I suppose great bands bring this kind of thing out in people, but uptight Seattlites aren’t usually the ones to show their love so in the open. Then again I could hardly fault them given my own strange love for this band.

Everything about this band’s presence indicates they’ve got a momentum like I haven’t quite seen since Grizzly Bear following the release of Yellow House at Neumos. There was something magical in the air that night I couldn’t put my finger on, something that has now taken them places, and has had me and seemingly everyone else enchanted ever since. Whether or not Fanfarlo are another Grizzly Bear, at this point I couldn’t say. But I most definitely can say that Fanfarlo continues to keep me enchanted. And that there will undoubtedly be next time with them too. Another next time. Not many bands can keep my attention in this way anymore. Yet Fanfarlo does.

Yes, there is definitely something magical here.


April Smith and the Great Picture Show ::: Photo by Josh Lovseth

April Smith and the Great Picture Show ::: Photo by Josh Lovseth

April Smith and the Great Picture Show ::: Photo by Josh Lovseth

Fanfarlo ::: Photo by Josh Lovseth

Fanfarlo ::: Photo by Josh Lovseth

Fanfarlo ::: Photo by Josh Lovseth

Flickr: Fanfarlo with April Smith and the Great Picture Show at The Crocodile

February 23, 2010

April Smith and Fanfarlo coming to the Crocodile

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Don’t get me wrong. I love guitars. I’ve been attempting to teach myself (with the help of friends) for almost a decade now. For the past fifty years the amplified electric guitar has held sway as the front-and-center-piece of American popular music thanks to the Chuck Berry’s, Jimi Hendrix’s and Stevie Ray Vaughan’s of the world. But in the new decade we’re entering into, I’ve got a feeling the supremacy of the six-string will come to it’s close and a more fully featured version of our popular music will find it’s footing. In 2010 I’m looking to bands like Freelance Whales, The Local Natives, Dinosaur Feathers, Beach House, Joanna Newsom, and of course Arcade Fire (new record promised!) all to prove me right and steal thei share of the spotlight this year. (Some are derisively terming this emerging group of bands as ‘NPR Rock,’ and I think Michael Azerrad recent defense of them is right, defending the results of practiced and serious musicians as being “constructive in an intelligent, open-hearted way.” Being earnest never got anyone any legitimate rock cred I guess.)

Two bands who can count themselves among the vanguard of this new, more expansive pop movement are playing the Crocodile this Wednesday February 24th. Headlining is U.K.’s Fanfarlo who we’ve gushed about previously, making one of my favorite records of 2009. Filling the warmup slot is April Smith & The Great Picture Show who are just popping onto our radar with her bawdy, over-the-top singing, sly winks and cute dresses.

At first blush, Smith is a character out a musical, larger than life and blissfully unaware she should be anything but herself. The video I’ve featured above of her doing the short number “Maybe” explains her appeal far better than I can say in words. If you have heard of her, you’ve probably heard her single “Colors”:

MP3: “Colors” by April Smith & The Great Picture Show from Songs for a Sinking Ship

If you’re still on the fence about showing up early Wednesday, Daytrotter recently published April Smith’s session, which in four songs gives a good sense of what she’s really all about.

Update (2/23): Starting today at Spinner you can stream all of April Smith’s new record Songs for a Sinking Ship.

December 30, 2009

Josh’s Favorite Releases of 2009

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The Maldives ::: Photo by Josh Lovseth

These are the albums that defined my 2009. Some I consider to be the strongest local albums of the year while others held my attention and memory in a special way such that I kept coming back to them. While many of these albums are admittedly made by bands whom I’ve also developed a strong affinity for over the past year, this is an albums list, and not simply a “my favorite bands who over the last year put out a record list.” Seven of the top ten are acts I was not familiar with at prior to the start of 2009. This includes the Ironclads. Man, a lot has happened this year.

Though the concept of the “album” may not be as relevant as it once was, I still consider myself to be an album person, for me such a group of songs is an important body of work for helping me come to relate to and really like a band. A single song usually just doesn’t do it for me. Simply put, these are the releases from this year that I listened to all the way through, over and over and over again.

 

LPs

 

1. Listen to the Thunder by The Maldives on Mt. Fuji Records Listen: Download an mp3 of “Tequila Sunday” courtesy of Mt. Fuji Records If any band conquered Seattle in 2009 it was the Maldives. For so many reasons, this record was the most important record in my life this year.

2. Curse Your Branches by David Bazan on Barsuk Records Listen: Stream the entire record at Barsuk.com David Bazan isn’t simply a musician. He is a religious philosopher. You might say this is “The Book of Dave.” A deeply personal record with very real ramifications for those who might have questions like he did about the consequences and realities of his long held beliefs. Though I don’t count myself particularly religious, I identified. To my mind this is the best album about religion and family that Bazan has ever done.

3. Apple’s Acre by Nurses on Dead Oceans Listen: Download an mp3 of “Caterpillar Playground” courtesy of Dead Oceans Through the power of the Internet I came into the possession of a 30-minute single-file live recording of Nurses. I can say without hyperbole that this recording is the most played “song” of the last year on my iTunes. They are playful, unique sounding, and completely DIY. This is the quintessential example of what everyone hopes a Portland band can and will be.

4. The Space Between the Maps by The Ironclads (self-released) Listen: Download an mp3 of “Alamagordo” courtesy of the Ironclads Advanced garage pop that’s well traveled and downright bombastic. Inventive lead guitar work and imaginative storytelling are this foursome’s forte and the record is a successful recreation of their live aesthetic.

5. Lust for Life by Girls on True Panther Sounds Listen: Watch “Laura” on Youtube Sad Bastard pop that doesn’t make me sad. Sign me up!

6. Zoe Muth and the Lost High Rollers by Zoe Muth and the Lost High Rollers (self-released) Listen: Get an MP3 version via KEXP Song of the Day I’m waiting for one (or three) of these songs to be covered by Dolly Parton. Another record like this and Nashville is gonna scoop her up, post haste.

7. A Strange Arrangement by Mayer Hawthorne on Stones Throw Records Listen: Watch “Just Ain’t Gonna Work Out” on Vimeo A DJ becomes a soul crooner, FTW. An album that you never want to turn off.

8. Keep it Hid by Dan Auerbach on Bloodshot Records Listen: Download an mp3 of What’s old is new again. More please. Other bands should take notes. The Blues are your friend, and mine.

9. Fanfarlo by Fanfarlo on Canvasback Music Listen: Stream the record at Fanfarlo.com Fronted by a clarinet playing choir boy, Fanfarlo take the cake for making this year’s most accessible orchestral pop record, and the best thing I heard out of the U.K. all year long.

10. I and Love and You by the Avett Brothers on Columbia Listen: Stream via theavettbrothers.com The Avett Brothers made a massive followup effort to Emotionalism, that drops the emo that marked it’s predecessor while striking a more hopeful and romantic note. This is another album that I feel wrong turning off in the middle.

11. In Dearland by Elvis Perkins on XL Listen: Watch “Chains, Chains, Chains” Directed by Seattle’s Sean Pecknold Elvis and his cohorts delve deep into old Americana and early rock for a record that is uniquely sad in it’s disposition, but overflowing with happy in the energy and passion of the full band performance.

12. Vecktamist by Grizzly Bear on Warp Listen: Stream the Video for Two Weeks Maybe this album should be higher on the list, but when I first got a hold of it I felt like it was just too much. Now, I’ve come to feel like this is a bold statement, and these guys are the vanguard of modern pop.

13. Year in the Kingdom by J Tillman on Bella Union/Western Vinyl Listen: Download an mp3 of “Earthly Bodies” courtesy of Western Vinyl Just when I thought J Tillman’s voice was an ideal, he goes to work for the Fleet Foxes and comes out the other side an even stronger singer.

14. Logos by Atlas Sound on Kranky Listen: Get an mp3 of “Walkabout” via FADER This was my official go-to chill record this year.

15. The Life of the Of the World to Come by the Mountain Goats on 4AD Listen: Download mp3 of “Genesis 3:23″ courtesy of 4AD As many of John Darnielle’s albums can be, this one is a grower, that really hooks you after you listen to it by yourself for a while. Seeing the songs performed live with a bit of Darnielle’s humor added in between songs for context allowed me to listen anew, and understand better than how the songs initially came off on the record.

 

EPs

 

1. Widower by Widower (self-released) Listen: Stream at Myspace

2. VS. by Macklemore & Ryan Lewis, (self-released free digital EP) Listen: Download EP via Myspace

3. The Moondoggies by The Moondoggies on Hardly Art Records (for Record Store Day), Ltd. Ed. Listen: Stream at Myspace

4. Don’t Piss into the Fire/Magic Mtn Single by Arthur & Yu for a Sub Pop Singles Club release for Record Store Day Listen: Stream via Myspace

5. Fun & Laughter Land of Talk on Saddle Creek Records Listen: Watch “The Man Who Breaks Things (Dark Shuffle)” at Vimeo

 

The ones I missed in 2008 and I banged the most in 2009:

Hometowns by The Rural Alberta Advantage (originally released 2008, digitally released with eMusic November 2008, then re-released by Saddle Creek Records in mid-2009).

We’re Still Here Missing You by Kaylee Cole (self-released in November of 2008)

The one from last year’s list that’s stood the test of time and stayed strong into this year

Caught In Trees by Damien Jurado, SOTS’s #20 Northwest album of 2008. In retrospect, I should’ve probably lobbied for a top 10 spot for this album on that list.

December 29, 2009

Josh’s Favorite Shows of 2009

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The Ironclads CD Release Show ::: Photo by Josh Lovseth

As a person who goes to grippa shows, it’s a hopeless task to put properly put into any meaningful order the favorite shows they’ve been two beyond saying a few were the very best or stand out as special moments and deserve recognition as such for the annals. So I’ve chosen a list of twenty shows and sets from this year that I’ll never forget, presented in chronological order.

Blind Pilot @ The Triple Door (January 2009) – read the full review

The Murder City Devils first show back at the Showbox at the Market (February 2009) – read the full review

Dan Auerbach at the Showbox at the Market (March 2009) – read the full review

The Ironclads CD Release w/ Hands, Whore Moans, What What Now (April 2009) – read the full review

Blue Moon 75th Anniversary Show w/ High Class Wreckage, Thee Emergency, Hopscotch Boys, and The Whore Moans (April 2009) – read the full review

The Lonely Forest CD Release at the Vera Project (April 2009) – read the full review

Bon Iver at Sasquatch (May 2009) – read the full review

Nurses at the South Pole (DIY venue) (June 2009) – read the full review

David Bazan in a Living Room in Edmonds (June 2009) – read the full review

 

Robin and Josh ::: Photo on Film by Josh Lovseth

Robin Pecknold at Neumos (July 2009) – read the full review

Rural Alberta Advantage at the Sunset Tavern (July 2009) – read the full review

Widower, Pearly Gate Music, Final Spins at Sunset Tavern (July 2009) – read the full review

Doe Bay Fest (August 2009) – read the full review

The Maldives CD Release at the Tractor Tavern w/ The Moondoggies and Zoe Muth & The Lost High Rollers (August 2009) – read the full review

Macklemore at Bumbershoot (September 2009) – read the full review

Dirty Three at the Crocodile (September 2009) – read the full review

Fanfarlo at Chop Suey (September 2009) – read the full review

Grizzly Bear at the Moore (October 2009) – read the full review

Black Eyes & Neckties Last Show (October 31, 2009) – eulogy never written

Regina Spektor at the Paramount (November 2009) – read the full review

 

Taking in the Bay at Doe Bay Music Fest ::: Photo by Abbey Simmons

December 28, 2009

Josh’s Favorite Songs of 2009

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“Eet” by Regina Spektor

Here is my list of thirty songs that dominated my iTunes, the songs that moved me to learn them on guitar, and the songs I will identify with 2009 forever. In no particular order. Though I suppose the top five could be my top five.

“Walkabout” by Atlas Sound + guest Noah Lennox from Logos (Kranky/4AD) Listen: Get mp3 via FADER

“Technicolor” by Nurses from Apple’s Acre (Dead Oceans) Listen: Download mp3 courtesy of Dead Oceans

“Lisztomania” by Phoenix from Wolfgang Amadaeus Phoenix (Glassnote) Listen: Stream at Myspace

“World News” by the Local Natives from Gorilla Manor (Rough Trade/Frenchkiss) Listen: Download a live version via a Daytrotter Session

“Come Monday Morning” by Widower from Widower (self-released) Listen: Stream at Myspace

“At the Cut” by the Cave Singers from Welcome Joy (Matador) Listen: Download mp3 courtesy of Matador Records

“Comets” by Fanfarlo from Fanfarlo (Canvasback Music) Listen: Stream at Fanfarlo.com

“Alamagordo” by the Ironclads from The Space Between the Maps (self-released) Listen: Download MP3 courtesy of the Ironclads

“Young Heart Sparks Fire” by Japandroids from Post-Nothing (Polyvinyl Records) Listen: Download MP3 courtesy of Polyvinyl Records

“Eet” by Regina Spektor from Far (Sire Records) Listen: Watch the Video above, Stream at Myspace

“Walk Away” by The Maldives from Listen to the Thunder (Mt. Fuji Records) Listen: Stream a Video from a KEXP In-Studio

“Just Ain’t Gonna Work Out” by Mayer Hawthorne from A Strange Arrangement (Stones Throw Records) Listen: Stream the Video at Vimeo

“Ready, Able” by Grizzly Bear from Vecktamist (Warp Records) Listen: Stream the Video at Youtube

“For Now” by People Eating People from People Eating People (The Control Group) Listen: Stream at Myspace

“Lust for Life” by Girls from Lust for Life (True Panther Sounds/Matador Records) Listen: Download MP3 courtesy of True Panther Sounds/Matador Records | Watch the Video Below

 

“Lust for Life” by Girls (Safe Version)

“Lazerbeams” by Fresh Espresso from Glamour (Out for Stardom) Listen: Stream the Video at Youtube

“The Town” by Macklemore from The Unplanned Mixtape (self-released) Listen: Stream the Video at Youtube

“Otherside” by Macklemore and Ryan Lewis from VS. (Sound Records) Listen: Download VS. EP courtesy of Ryan Lewis Productions

“You Only Believe Me When I’m Lying” by Zoe Muth & The Lost High Rollers from Zoe Muth & The Lost High Rollers (self-released) Listen: Download MP3 via KEXP Song of the Day

“Stillness is the Move” by the Dirty Projectors from Bitte Orca (Domino Records) Listen: Stream Track via Domino Records

“Magic Mtn” by Arthur & Yu from Don’t Piss into the Fire Sub Pop Singles Club Record Store Day Release and Hardly Art Label Sampler (Sub Pop/Hardly Art) Listen: Download Track at Amazon via Hardly Art

“Let Me Fall” by the Final Spins from THIS IS THEN/THAT WAS NOW (self-released) Listen: Download MP3 via KEXP Song of the Day

“Ed Jackson” by See Me River from The Great Unwashed EP (Aviation Records) Listen: Download MP3 via KEXP Song of the Day

“Oh Oh Oh Oh Oh Oh Oh Oh Oh” by Say Hi from Oohs and Aahs (Barsuk Records) Listen: Download MP3 courtesy of Barsuk Records

“Please Baby Please” by David Bazan from Curse Your Branches (Barsuk Records) Listen: Stream a solo version at youtube

“The Perfect Space” by the Avett Brothers from I and Love and You (Columbia) Listen: Stream via theavettbrothers.com

“What Took So Long” by the Moondoggies (unreleased) Listen: Download a live session version via Luxury Wafers

“Summer of Hate” by Crocodiles from Summer of Hate (Fat Possum Records) Listen: Download MP3 courtesy of Fat Possum Records

“Isabella” by Lands & Peoples from Lands & Peoples EP (self-released) Listen: Stream via Bandcamp

“Norway” by Beach House from Teen Dream (Sub Pop) Listen: Download MP3 courtesy of Sub Pop

September 15, 2009

Fanfarlo at Chop Suey

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Fanfarlo ::: Photo by Josh Lovseth

It’s doubtful Fanfarlo could’ve expected much from the first date of their first ever U.S. tour. Playing halfway around the world from their native London in the smallest of the cities on their short tour, Seattle must undoubtedly have been considered a wildcard appearance for a foreign band who’s debut album Reservoir isn’t even physically out yet in the States. By the time Fanfarlo took to the stage though, Seattle had asserted it’s identity as a music town and come out in force to appreciate this young band (and on a Monday no less).

They began with a stripped down version of “Drowning Men” in which lead singer Simon Balthazar was only accompanied by a violin and drum, an arrangement that stood in contrast to the recorded version’s full band breakdown and expansive harmonies. Under normal circumstances the song is driving and has Arcade Fire written all over it, but as the set opener, doused in red light and voiced with simple soft strumming, it’s lyrics had a plaintive quality I’d completely missed before. As the rest of the band filled in for “I’m a Pilot,” the stage lit up, strings of flags and party lights strung across the ceiling. Any effects of the mentioned jet-lag were limited to a slow start that was quickly forgotten in the succession of uplifting melodies and heavy back-beats.

More than just in sound, their playful spirit also recalls my first experience with Arcade Fire, a band who evinced making music as unbridled fun. Trumpet, singing saw, violin, handclaps, and melodica all had their places, with Balthazar even taking an enthusiastic turn at the clarinet for the last song of the main set. Even they aren’t bouncing around drumming each others brain’s out on stage, through the lights and flags, through the jauntier than expected live delivery, and their generally smiley attitudes, the songs and performance just jump off the stage. I have to heartily agree with +1 (my roommate) in his comment that this is exactly the kind of band I myself would want to be in.

Given the mere nine or so songs they played, jet-lagged or no, an encore was definitely in the offing. Nobody was leaving and everyone was clapping and expecting something. Promptly arriving back on stage, plastic tubes were handed out to the crowd to twirl above their heads, an opportunity for the audience to whimsically provide the high-pitched background hum for “Ghosts.” It worked out better than I could have imagined (though the taller members of the crowd were probably not all that endeared by a constant threat to their head from all sides). After some mulling over requests, “Fire Escape” was decided as the second song of the encore.

Even after the house music came up, earnest chants of “One More Song! One More Song!” rung out until the band came back for a second encore. I honestly can’t remember the last time I saw something like that with a new band like this. Seattle had proven without a doubt it was no longer a wildcard. And in a sense, right off the bat during their first tour of America, so had Fanfarlo.

Reservoir arrives in stores September 29th, but you may be able to find it at various digital retailers right now.


Fanfarlo ::: Photo by Josh Lovseth

Fanfarlo ::: Photo by Josh Lovseth

Flickr: Fanfarlo at Chop Suey

September 14, 2009

Fanfarlo’s US debut tonight at Chop Suey

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Londoners Fanfarlo have their debut LP Reservoir out tomorrow in the States and are doing a short set of dates in support. We’ve been literally smitten with their melodic pop since we spun Reservoir up, so tonight’s Chop Suey show is a welcome appearance. Take a listen to the above selection from the record and see if you aren’t spurred to scuttle on down to Capitol Hill. They’ll be joined tonight by Portland folk-rockers Weinland.

August 25, 2009

Fanfarlo Releases a Video & is Coming to Seattle

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London based dreamy orchestral pop act Fanfarlo just released this captivating video for “The Walls Came Down,” one of the strongest tracks on their debut album Resevoir. We’ve been enjoying the bands Beirut-ish sound since listen one and are thrilled Seattle is one of only six US tour dates this September.

The band is playing Chop Suey on September 14th and we’re dreaming of a Fanfarlo, Hey Marseilles bill…especially since Chop Suey doesn’t have any bands listed as backing acts. Whether that happens or not, if you’re a fan of Hey Marseilles, Beirut or lushly orchestrated pop, you’re ripe to fallĀ for Fanfarlo.