Drew Grow and the Pastors’ Wives ::: photo by Josh Lovseth

We had an incredible 2010 here at Sound on the Sound and it was in large part thanks to the following MVPs and, of course, you guys reading this. These were the artists, albums, labels, festivals, bookers and sound guys that inspired and impressed us most and these are the people that remind us every day why we wouldn’t trade our local music scene for anywhere else in the world.

MVP Live Act – Drew Grow & the Pastors Wives

No one impressed us in 2010, from performance one and from living rooms to the Showbox, like Drew Grow and the Pastors Wives have. No one even comes close. Here’s what we had to say about the band’s stirring live shows:

“Inevitably, after Drew sings I am left thinking, “that must be what people who believe in God feel like when they sing and hear hymns.” It is a performance enjoyed with eyes closed tightly, arms raised aloft to the stage, heads thrown back in ecstasy and exultation and a sense you are witnessing something as a collective, not an individual. I don’t attend church anymore and I moved on from believing in God to believing in music and the people who create it, and seeing Drew Grow live is as close to a religious experience as I will ever have.” – abbey

Kelli Schaefer ::: photo by Josh Lovseth

MVP Performer (Female) - Kelli Schaefer

Phil said it best when describing Kelli Schaefer, “This woman right here, she’s a hurricane.” Rarely have seven words so succinctly described a musician and all without an adjective. Kelli is not what she seems as she steps on stage. Soft-spoken and ghostly pale, Schaefer bellows with a voice that spans emotion, time, range, timbre and comprehension. She is none of our preconceived notions about a fragile girl with a guitar and when she belts out that first note and bitter beautiful words, we are astounded. I’ll always remember filming our Doe Bay Session with Kelli this August; standing there with an acoustic guitar, our wonderful sound guy made some assumptions about what would be coming out of Kelli. She peaked out the recording with the first note, nearly blowing out Chris’ ear drums. He threw off his headphones in shock, but with a huge smile. We could have stopped her right then, knowing we’d have to record again, but why would deny ourselves the opportunity to hear that astounding voice one more time? – abbey

Macklemore ::: photo by Josh Lovseth

MVP Performer (Male) – Macklemore

Facing life and his problems head on, for the benefit of all and with the help of friends, Ben Haggerty, AKA Macklemore now lives with his life on his sleeve. Equally a reverent nostalgic and a modern popaholic he’s able to bring us into his world and impart the wisdom of a colorful life with humor and seriousness in equal and complimentary doses. A party MC to the core, when most kids are too cool to jump, Macklemore walks up on stage and people can hardly contain themselves. No other acts entertain like Macklemore does, and that is pretty much the definition of who we should be handing this MVP out to. As far as I’m concerned Haggerty deserves a double MVP for being the top Northwest Rep in all the land. Maybe I’ll save that one for next year… – josh

Bryan John Appleby at Conor Byrne Open Mic ::: photo by Abbey Simmons

MVP Venue – Conor Byrne

Conor Byrne isn’t just where music is played, it’s where music is made. It’s where musicians are made. From the all-in “Old Timey Social” hour to Sunday’s Open Mic often curated by the Head and the Heart’s Josiah Johnson, musicians of all stripes and levels rub elbows, learn from each other, and maintain their own self-supporting community. Worthy as a bar in it’s own right serving the best Jameson Ginger in town, as a comfortable space where some of Seattle best songwriters can try out new songs in front of peers it’s gained status one of Ballard’s hangouts. When on any given Sunday night you might see three or more notable personality’s take the stage doing what they do in a more informal setting, each night ends up a special memory in it’s own right. -josh

Doe Bay Fest ::: photo by Josh Lovseth

MVP Festival – Doe Bay Fest

Josh remarked in his Doe Bay Fest 2010 recap:

“I think we might need to come up with a new word for what Doe Bay Fest is. Sure, it has a few stages, great bands are present, and it is nominally about seeing music. But calling it simply ‘a music festival’ doesn’t communicate the quality of interaction that a gathering in this setting encourages and makes possible. For four solid days I had no want to leave. In actively forgetting our worries and forgetting about clocks, Doe Bay became a real-life Utopia for those present, if only for an instant. And that’s not something that happens at just a ‘music festival.’”

The Head and The Heart ::: photo by Josh Lovseth

MVP New Band (Local) – The Head and the Heart

From Pike Place to the Paramount, the Head and the Heart have traveled an astonishing road in 2010. Once the ball started rolling for this sextet it just never stopped, from an unusually full High Dive on a Wednesday after Abbey introduced them to the world, to snagging a spot at Capitol Hill Block Party, to supporting the likes of Dave Matthews and Vampire Weekend and selling out a headlining bill at Neumos weeks ahead of time as their first show of 2011, all less than nine months on. It almost defies belief. Had I not seen it with my own eyes I would have said it does defy belief. Yet to see a crowd young and old react to them with equal fervor is to know the power of the smile and the hug, and to believe in it. Maybe that’s sappy, but I mean it. And that’s just what this band brings out in people. – josh

MVP Debut Album (Local) – The Head and the Heart

From Abbey’s exclusive sneak peek at their debut album:

“The Head and the Heart sing of life’s greatest journeys with uncanny confidence, knowing and a genuine glow. They may be young and the band may be new, but they sing of leaving home, the trials, stumbles and exhilaration of finding yourself, the tumults of love and the inevitability of loss, all with a sage-like comprehension of our humanity. If you love bands drenched in pretense or that keep themselves metaphorically aloof, you’ll hate The Head and The Heart. This band is unadulterated joy and boundless hope for the future laid bare in three-part harmonies, bubbling bass lines and warm pop orchestration that embraces you in a full-on hug. They are a recipe for a palpable rise in your mood, an antidote to counter the poison of our fast-paced days filled with calculated and impersonal interactions.”

Steve Norman with Goldfinch ::: photo by Abbey Simmons

MVP 6th Man (musician who plays around town w/different bands) – Steve Norman

There are a bevy of mighty fine slide-guitar sidemen in this town, but none are quite the character that is Steve Norman. You could be forgiven for wondering where Norman finds the time. He is everywhere doing semi-regular and guest duty in a constantly growing number of bands including but not limited to Goldfinch, Ghost of Kyle Bradford, Big Sur, Friday Mile, John Totten, Carrie Biell, Chris Pureka, Barton Carrol, Other Desert Cities, Husbands Love Your Wives, and Ben Gilmer, Sadie Ava, Greg Paul, Aaron Ebige, Sweet Hearts of the Rodeo, Steve Leslie (Chuckanut Drive), AP Dugas and the Ganges River Band. (His list.) When given the opportunity to conjure something right at that moment in impromptu guest appearances with the likes of Kelli Schaefer and Luke Stevens, he seems to effortlessly find a new texture to add, country or psyche, edgy or ballad. In one go at it he’s the accompaniment you never knew was missing. To invite Steve Norman onstage is, like inviting bikini models to your pool party, a double-edged sword. Yeah, you know pool parties are cool all by themselves, but they are indescribably better with a few models to just do what they do, you know, look good in bikinis and pretty up your party. Only after that first time you invite those models, pool parties won’t ever be the quite the same without them… You get the idea. – josh

Carissa’s Wierd ::: photo by Josh Lovseth

MVP Label – Hardly Art / Sub Pop

Really all I need to say to back up this MVP is: Carissa’s Wierd. The Moondoggies. Shabazz Palaces. The Head and The Heart. AFCGT. In 2010, Sub Pop and Hardly Art put their money where their mouths (and offices) are when it came to signing and supporting local talent.

Hardly Art’s reissued releases and “Best Of” from Carissa’s Wierd were the albums I listened to most in 2010, by a lot. Hardly Art managed to bring me CDs from the band that didn’t cost 100s of dollars on Ebay, first time vinyl presses, and the band on stage and in front of me live … all things I never imagined I, as someone who missed the band the first time around, would ever witness. All the while they faithfully supported my long-time favorite local band, releasing not one but two albums from The Moondoggies. Its the kind of thing that music fans would bequeath their first born to see a label do; but Hardly Art did it all for the right reasons in 2010 — because they’re moved by the music and they know they don’t have to look far outside their front door to find talent. (Though Sub Pop’s non-local releases from 2010: Beach House, No Age, Avi Buffalo are certainly nothing to sneeze at …) Most importantly, I get to keep my first born, my double colored Carissa’s Wierd vinyls and new Moondoggies … and for that, Hardly Art / Sub Pop are most certainly MVP worthy. – abbey

You can read (some of) the Sound on the Sound staff’s personal MVP’s after the jump … a label, a booker and a sound guy! (more…)