September 4, 2009
Welcome Phil Bouie, Sound on the Sound’s New Writer

Photo Courtesy of Amelia Gyde
We’d like to take a moment to introduce you to Philip Bouie, Sound on the Sound’s new writer. Phil will be getting his start by offering his take on this year’s Bumbershoot, the first he’s ever attended. If you see him, be sure to say hi.
Having Phil join Sound on the Sound is the lone positive that comes out of the Ironclads hiatus. That’s how we met Phil. He was the drummer of the recently dearly departed band and the author of their hilarious band blog. After reading a single Ironclads blog, we’d already thought about asking Phil to contribute to Sound on the Sound. By the end of the second, we were ready to beg. As a musician, new(ish) Seattle arrival, and hardcore fan we think Phil will offer a great new perspective on Sound on the Sound and for our readers. Phil’s full (and funny) bio is below.
Name: Philip Bouie
Hometown: Detroit, Michigan/ Reston, Virginia
Age: 26
Time spent in seattle: 2 years
Instruments: fictional drummer for the Ironclads, first and foremost a bedroom guitar player..let’s start a band.
College: VCU - Mass Communications/African-American StudiesFavorite Live Show Experience - Sleater-Kinney/The Gossip/The Butchies. May 25, 2000 at the 930 club in dc. The only show I’ve ever been at that I never wanted to end. It was something in the air that night, s-k brought down the house with a riot-starting cover of “Fortunate Son”. Out of all the trillions of shows I’ve been to over the years, this is the only show I still have my ticket stub from.
Worst Live Show Experience - I saw 10 minutes of a Smashing Pumpkins set during Virgin Festival in 2007. I’ve never really been a fan of the Pumpkins but that was the longest 10 minutes of my life. Without a doubt, Billy Corgan may be the biggest piece of shit to ever be involved in music. Why he and Axl Rose never teamed up I have no idea.
So yeah I like music, mostly of the heavier and faster variety. Seattle has softened my DC punk roots a bit due to the lack of chaotic basement shows I’ve experienced in the Northwest. I hope this changes soon.
In the end, I have nothing but Seattle and other northwest acts to thank for my love of music. Before going to Fort Reno every summer to see Fugazi. Before losing my shit at Wilson Center hardcore shows, before I bought my first Nas album, there was rock n’ roll from the northwest. I grew up playing air guitar in the shower to Mudhoney’s Superfuzz/Big Muff. I’m guessing I was probably the only 13-year-old black male ever to own a copy of Bikini Kill’s Pussy Whipped. I was going to Melvins shows before I could drive. Botch’s We Are the Romans was my favorite record in high school. Actually, it’s still one of my favorite records. I don’t even want to get into my pre-teen Nirvana bootleg obsession or how I use to be able to play Sunny Day Real Estate’s LP2 on guitar, bass and drums.
It’s an honor and privilege to be welcomed by Sound on the Sound. I only hope to add to their html glory with my amateurish, inane offerings.
Just one more note from us, beyond how absolutely thrilled we are to welcome Phil. We’ve intentionally remained small contributor-wise as we got our footing and established ourselves and our voice. But as the site has grown, so has our sense of responsibility and desire to cover more of Seattle’s expansive music scene. Three people with day jobs, just can’t do it on their own. Phil will be the first of a couple new contributors who will be joining Sound on the Sound in the coming year, as we try to continue to improve our coverage and contribution to the city and music we love so much.
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